Podcast
BBC Radio 4
207 episodes · en
Popular culture, poetry, music and visual arts and the roles they play in our society.
Jul 23, 2026 · 56 min
Misha Glenny and guests discuss the French portrait painter Élisabeth Vigée Le Brun (1755 - 1842). From her teens she delighted her high society subjects in and around Paris, notably Marie Antoinette who she painted around 30 times, and she invariably found ways to show her sitters at their best. Some critics were affronted that she, a young woman, dared paint at all and, when they saw how good her portraits were, some spread a rumour that surely this could not really be her work and she must have had a secret male lover finishing her portraits in a studio. The French Revolution forced Vigée Le Brun out of France and so she set off from one European court to another to find more success from Naples to Vienna to St Petersburg and to London, eventually settling back in France. Today her works are on show in major galleries around the world. With Rosalind Polly Blakesley Master of Pembroke College and Professor of Russian and European Art at the University of Cambridge Robert Wenley Deputy Director of Collections and Research at the Barber Institute of Fine Arts, University of Birmingham And Francesca Whitlum-Cooper Curator of Later Italian, Spanish and French Paintings at The National Gallery, London. Producer: Simon Tillotson Reading list: Joseph Baillio, Katharine Baetjer and Paul Lang (eds), Vigée Le Brun (exhibition catalogue in English, Metropolitan Museum of Art, 2016) Joseph Baillio et al., Elisabeth Louise Vigée Le Brun: 1755-1842 (exhibition catalogue in French, Grand Palais, Paris, 2015/16) Rosalind P. Blakesley, Women Artists in the Reign of Catherine the Great (Lund Humphries Publishers Ltd, 2023), especially chapter 8 ‘The Triumphant Refugee’ Lucy Davies, Vigée Le Brun: Self Portrait in a Straw Hat (National Gallery Global, 2025) Angelica Goodden, The Sweetness of Life: A Biography of Elisabeth Louise Vigée Le Brun (Andre Deutsch Ltd, 1997) Franny Moyle, Mrs Kauffman and Madame Le Brun: The Entwined Lives of Two Great Eighteenth-Century Women Artists (Apollo, 2025) Jordana Pomeroy, Daring: The Life and Art of Elisabeth Vigée Le Brun (Getty Publications, 2025) Mary D. Sheriff, The Exceptional Woman: Elisabeth Vigée-Lebrun and the Cultural Politics of Art (University of Chicago Press, 1997) Paris Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 (Paul Mellon Centre, Yale University Press London, 2022) Elisabeth Vigee Le Brun (trans. Sian Evans), The Memoirs of Elisabeth Vigee Le Brun (Camden Press, 1989) Louise-Elisabeth Vigée-Lebrun, Souvenirs de Madame Louise-Élisabeth Vigée-Lebrun (first published 1869; Tredition Classics, 2012) In Our Time is a BBC Studios production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Jun 4, 2026 · 55 min
Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then in Galicia, next in Poland and is now in Ukraine, Roth (1894 - 1939) was to spend his short life moving first to Lviv then to Vienna and finally to Paris via Berlin without ever finding a settled home. Roth explored the loss of homeland and anticipated the dangers of the new nationalism through his journalism and in his novels including Radetzky March, Job, Rebellion and Flight Without End, and his books were among the first the Nazis burned. With Helen Chambers Emeritus Professor of German at the University of St Andrews Deborah Holmes Associate Professor of Modern German Literature at the University of Salzburg And Jon Hughes Reader in German and Cultural Studies at Royal Holloway, University of London Producer: Simon Tillotson Reading list: Jon Hughes, Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s (MHRA, 2006) Heinz Lunzer and Victoria Lunzer-Talos, Joseph Roth: Leben und Werk in Bildern (Kiepenheuer & Witsch, 1994) Keiron Pim, Endless Flight: The Life of Joseph Roth (Granta, 2022) Joseph Roth (trans. Deborah Holmes, ed. Helen Constantine), Vienna Tales (Oxford University Press, 2014) Joseph Roth (trans. and ed. Michael Hofmann), A Life in Letters (Granta, 2012) Joseph Roth (trans. Michael Hofmann), Collected Shorter Fiction (Granta, 2001) Joseph Roth (trans. Michael Hofmann), Rebellion (Granta, 2000) Joseph Roth (trans. Michael Hofmann), The Radetzky March (Granta, 2022) Joseph Roth (trans. Michael Hofmann), The Legend of the Holy Drinker (Granta, 2022) Joseph Roth (trans. Michael Hofmann), The Wandering Jews (Granta, 2001) Joseph Roth (trans. Michael Hofmann), What I Saw: Reports from Berlin 1920-1933 (Granta, 2022) Joseph Roth (trans. Michael Hofmann), The Hotel Years: Wanderings in Europe Between the Wars (Granta, 2015) Joseph Roth (trans. Michael Hofmann), Reports from a Parisian Paradise: Essays from France 1925-1939 (Granta, 2004) Joseph Roth (trans. Michael Hofmann), The Emperor’s Tomb (Granta, 2013) Joseph Roth (trans. Michael Hofmann), The String of Pearls (Granta, 1999) Joseph Roth (trans. Michael Hofmann), The White Cities: Reports From France 1925-1939 (Granta, 2013) Joseph Roth (trans. David Le Vay), Weights and Measures (Pushkin Press, 2024) Joseph Roth (trans. Daved Le Vay and Beatrice Musgrave), Flight Without End (Pushkin Press, 2024) Joseph Roth (trans. Ruth Martin), The Coral Merchant: Essential Stories (Pushkin Press, 2020) Joseph Roth (trans Will Stone), On the End of the World (Pushkin Press, 2019) Joseph Roth (trans. Dorothy Thompson), Job: The Story of a Simple Man (Granta, 2022) Wilhelm Von Sternburg, Joseph Roth: Eine Biographie (Kiepenheuer & Witsch, 2009) In Our Time is a BBC Studios Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
May 14, 2026 · 55 min
Misha Glenny and guests discuss the work of Maurits Cornelis Escher (1898-1972), the graphic artist and printmaker best known for his impossible buildings, paradoxical perspectives, and repeating geometric patterns. Born in Leeuwarden and trained as a printmaker, Escher visited the Alhambra in Granada and found inspiration in the tessellating shapes of Islamic art. Through his career he went on to create some of the most famous images of the twentieth century and has been called a one-man art movement. After his work was exhibited in a 1954 conference, Escher’s work also caught the eye of mathematicians who appreciated his intuitive geometric precision. Escher was influenced by their work, and they were influenced by his – despite Escher never thinking he was actually very good at maths himself. With Marcus du Sautoy Simonyi Professor for the Public Understanding of Science, Professor of Mathematics and Fellow of New College, University of Oxford Sarah Hart Professor Emerita of Mathematics and Fellow of Birkbeck, University of London, and Fellow of Gresham College And Judith Kadee Exhibitions project manager and public programme curator at Hague Historical Museum Producer: Martha Owen Reading list: Marcus du Sautoy, Blueprints: How Mathematics Shapes Creativity (Fourth Estate, 2025) Marcus du Sautoy, Finding Moonshine: A Mathematician’s Journey Into Symmetry (Harper Perennial, 2009) Bruno Ernst, The Magic Mirror of M.C. Escher (Taschen, 2007) M.C. Escher, M.C. Escher: The Graphic Work (Taschen America Llc, 1992) Miranda Fellows, The Life and Works of Escher (Siena,1996) Frederico Giudiceandrea, Escher op reis or Escher’s Journey (Publisher Wbooks, 2018, in Dutch) Sarah Hart, Once Upon a Prime: The Wondrous Connections Between Mathematics and Literature (Flatiron Books, 2023) Douglas Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid (first published 1979; Basic Books, 1999) Siobhan Roberts, King of Infinite Space: Donald Coxeter, The Man Who Saved Geometry (Profile Books, 2007) Claudio Salsi, Paolo Branca and Claudio Bartocci (eds.), M.C. Escher. Tra arte e scienza. Catalogo della mostra (24 Ore Cultura, 2025, in Italian) Doris Schattschneider, “The Mathematical Side of M.C. Escher” (Notices of the American Mathematical Society, Vol. 57, 6, 2010) Doris Schattschneider, M.C. Escher: Visions of Symmetry (Thames and Hudson Ltd, 2004) Wouter van Reek, Nadir & Zenith in the World of Escher (Leopold, 2019) In Our Time is a BBC Studios production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
May 7, 2026 · 54 min
Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original. With Donald Burrows Emeritus Professor of Music at the Open University Ruth Smith Trustee and Council Member of the Handel Institute And Larry Zazzo Countertenor, and Senior Lecturer in Music at Newcastle University Producer: Simon Tillotson Reading list: Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming) Donald Burrows, Messiah (Edition Peters, 1987) Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991) Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012) George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020) G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009) G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974) Arthur Holroyd, Reassuring 18th-Century Protestants: The Librettist’s Intended Message for Handel’s ‘Messiah’ (Quacks Books, 2018) Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024) Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957) Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992) Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965) Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989) Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012) Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995) Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010) Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025) In Our Time is a BBC Studios production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Apr 16, 2026 · 51 min
Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire. With Dawn Ades Emeritus Professor of Art History and Theory at the University of Essex Ruth Hemus Professor of French and Visual Culture at Royal Holloway, University of London And Stephen Forcer Professor of French at the University of Glasgow Produced by Martha Owen Reading list: Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006) Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996) Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015) Ruth Hemus, Dada's Women (Yale University Press, 2009) David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004) Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015) In Our Time is a BBC Studios Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Mar 19, 2026 · 48 min
Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics. With Fiona Stafford Professor of English Language and Literature and Tutorial Fellow at Somerville College, University of Oxford Nicholas Roe Wardlaw Professor of English Literature at the University of St Andrews And Meiko O’Halloran, Senior Lecturer in Romantic Literature at Newcastle University Producer: Simon Tillotson Reading list: John Barnard, John Keats (Cambridge University Press, 1987) Katie Garner and Nicholas Roe (eds), John Keats and Romantic Scotland (Oxford University Press, 2022) Ian Jack, Keats and the Mirror of Art (Oxford University Press, 1967) John Keats (ed. John Barnard), John Keats: Selected Writings (Oxford University Press, 2020) John Keats (ed. John Barnard), John Keats: Oxford 21st-Century Authors (University Press, 2017) John Keats (ed. John Barnard), Selected Poems (Penguin, 2007) John Keats (ed. John Barnard), The Complete Poems (Penguin, 2nd edition, 1977) John Keats (ed. Jeffrey N. Cox), Keats’s Poetry and Prose: A Norton Critical Edition (W. W. Norton & Company, 2008) Carol Kyros Walker, Walking North with Keats (Edinburgh University Press, 2021) Richard Marggraf Turley (ed.), Keats’s Places (Palgrave Macmillan, 2018) Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph (Jonathan Cape, 2021) Michael O’Neill (ed.), John Keats in Context (Cambridge University Press, 2017) Christopher Ricks, Keats and Embarrassment (Oxford University Press, 1974) Nicholas Roe, John Keats: A New Life (Yale University Press, 2012) Helen Vendler, The Odes of Keats (Belknap Press, 2004) Susan J. Wolfson, Reading John Keats (Cambridge University Press, 2015) Susan J. Wolfson (ed.), The Cambridge Companion to Keats (Cambridge University Press, 2001) In Our Time is a BBC Studios Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Mar 5, 2026 · 51 min
Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries. With Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Lucy Munro Professor of Shakespeare and Early Modern Literature at Kings College London And Laurence Publicover Associate Professor in the Department of English at the University of Bristol Producer: Simon Tillotson Reading list: Hailey Bachrach, Staging Female Characters in Shakespeare’s English History Plays (Cambridge University Press, 2023) Warren Chernaik, The Cambridge Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007) Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018) Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999) Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997) William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024) William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003) In Our Time is a BBC Studios Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Feb 12, 2026 · 49 min
Journalist, author and historian Misha Glenny presents his first edition of In Our Time, succeeding Melvyn Bragg who retired from this role last summer. Misha and his guests discuss the landmark work On Liberty by John Stuart Mill, published in 1859 and the increasing recognition for his wife Harriet Taylor Mill's contribution. The subject matter of the essay is ‘civil or social liberty: the nature and limits of the power which can be legitimately exercised by society over the individual’ and it argues that the sole end for which mankind may interfere with the liberty of action of anyone is self-protection and even then only to prevent harm to others. This essay became enormously popular and a foundational text for liberalism. With Helen McCabe Professor of Political Theory at the University of Nottingham Mark Philp Emeritus Professor of History and Politics at the University of Warwick And Piers Norris Turner Associate Professor of Philosophy at The Ohio State University Producer: Simon Tillotson Reading list: Jo Ellen Jacobs (ed.), Harriet Taylor Mill, Complete Works (Indiana University Press, 1998) Bruce L. Kinzer, Ann P. Robson and John M. Robson, A Moralist In and Out of Parliament: John Stuart Mill at Westminster, 1865-1868 (University of Toronto Press, 1992) Christopher Macleod and Dale Miller (eds.), A Companion to Mill (Wiley, 2016) Helen McCabe, John Stuart Mill, Socialist (McGill-Queen’s University Press, 2021) Helen McCabe, Harriet Taylor Mill (Cambridge, 2023) Piers Norris Turner, ‘The Arguments of On Liberty: Mill’s Institutional Designs’ (Nineteenth-Century Prose 47 (1), 2020) Piers Norris Turner et al (eds.), John Stuart Mill and Harriet Taylor Mill, On Liberty with Related Writings (Hackett Publishing, forthcoming 2026) Mark Philp (ed.), John Stuart Mill: Autobiography (Oxford University Press, 2018) Mark Philp and Frederick Rosen (eds.), John Stuart Mill: On Liberty, Utilitarianism and other Essays (Oxford University Press, 2015) Frederick Rosen, Mill (Oxford University Press, 2013) Alan Ryan, The Philosophy of John Stuart Mill (Palgrave MacMillan, 1998) Ben Saunders, ‘Reformulating Mill’s Harm Principle’ (Mind 125/500, 2016) John Skorupski, Why Read Mill Today? (Routledge, 2006) William Stafford, John Stuart Mill (Red Globe Press, 1998) C. L. Ten (ed.), Mill: On Liberty: A Critical Guide (Cambridge University Press, 2008) Nadia Urbinati and Alex Zakaras (eds.), John Stuart Mill’s Political Thought: A Bicentennial Reassessment (Cambridge University Press, 2007) In Our Time is a BBC Studios production
Jul 17, 2025 · 49 min
Melvyn Bragg and guests discuss John Barbour's epic poem The Brus, or Bruce, which he wrote c1375. The Brus is the earliest surviving poem in Older Scots and the only source of many of the stories of King Robert I of Scotland (1274-1329), popularly known as Robert the Bruce, and his victory over the English at Bannockburn in 1314. In almost 14,000 lines of rhyming couplets, Barbour distilled the aspects of the Bruce’s history most relevant for his own time under Robert II (1316-1390), the Bruce's grandson and the first of the Stewart kings, when the mood was for a new war against England after decades of military disasters. Barbour’s battle scenes are meant to stir in the name of freedom, and the effect of the whole is to assert Scotland as the rightful equal of any power in Europe. With Rhiannon Purdie Professor of English and Older Scots at the University of St Andrews Steve Boardman Professor of Medieval Scottish History at the University of Edinburgh And Michael Brown Professor of Scottish History at the University of St Andrews Producer: Simon Tillotson Reading list: John Barbour (ed. A.A.M. Duncan), The Bruce (Canongate Classics, 2007) G.W.S. Barrow, Robert Bruce and the Community of the Realm of Scotland (Edinburgh University Press, 1988) Stephen Boardman, The Early Stewart Kings: Robert II and Robert III (Tuckwell Press, 1996) Steve Boardman and Susan Foran (eds.), Barbour's Bruce and its Cultural Contexts: Politics, Chivalry and Literature in Late Medieval Scotland (D.S. Brewer, 2015) Michael Brown, Disunited Kingdoms: Peoples and Politics in the British Isles, 1280-1460 (Routledge, 2013) Michael Brown, The Wars of Scotland, 1214-1371 (Edinburgh University Press, 2004) Thomas Owen Clancy and Murray Pittock, Ian Brown and Susan Manning (eds.), The Edinburgh History of Scottish Literature, Vol. 1: From Columba to the Union (until 1707), (Edinburgh University Press 2006) Robert Crawford, Scotland's Books: A History of Scottish Literature (Oxford: Oxford University Press, 2009) Robert DeMaria Jr., Heesok Chang and Samantha Zacher (eds.), A Companion to British Literature: Vol 1, Medieval Literature, 700-1450 (John Wiley & Sons, 2014), especially 'Before the Makars: Older Scots literature under the early Stewart Kings' by Rhiannon Purdie Colm McNamee, The Wars of the Bruces: Scotland, England and Ireland 1306-1328 (Tuckwell Press, 2001) Michael Penman, Robert the Bruce, King of the Scots (Yale University Press, 2014) In Our Time is a BBC Studios Audio Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.
Jul 3, 2025 · 54 min
In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt’s stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With: Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of London Leslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of London And Diane Silverthorne, art historian and 'Vienna 1900' scholar Producer: Eliane Glaser Reading list: Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018) Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013) Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006) Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023) Stephen Downes, Gustav Mahler (Reaktion Books, 2025) Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979) Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007) Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998) Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011) William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974) Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008) Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979) Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016) Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023) Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989) Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004) Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015) Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019) Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König) Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964) In Our Time is a BBC Studios Audio Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.
May 22, 2025 · 51 min
Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière. With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of Glasgow Jan Clarke Professor of French at Durham University And Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of London Producer: Simon Tillotson Reading list: David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006) Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022) Georges Forestier, Molière (Gallimard, 2018) Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007) John D. Lyons, Women and Irony in Molière’s Comedies of Mariage (Oxford University Press, 2023) Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- ) Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999) Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012) Julia Prest, Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014) Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020) In Our Time is a BBC Studios Audio Production
Apr 17, 2025 · 56 min
Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work. With Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Lucy Munro Professor of Shakespeare and Early Modern Literature at Kings College London And Michelle O’Callaghan Professor of Early Modern Literature at the University of Reading Producer: Simon Tillotson Reading list: Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996) Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011) R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton’s Tragedies’ by John Stachniewski Mark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007) Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022) Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020) David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012) Michelle O’Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009) Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012) In Our Time is a BBC Studios Audio Production
Mar 20, 2025 · 54 min
Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey’s Poet’s Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright’ and ‘novelist’ and ‘science writer’ and ‘pamphleteer’ and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield. With David O’Shaughnessy Professor of Eighteenth-Century Studies at the University of Galway Judith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of London And Michael Griffin Professor of English at the University of Limerick Producer: Simon Tillotson Reading list: Norma Clarke, Brothers of the Quill: Oliver Goldsmith in Grub Street (Harvard University Press, 2016) Leo Damrosch, The Club: Johnson, Boswell, and the Friends Who Shaped an Age (Yale University Press, 2019) Oliver Goldsmith (ed. Aileen Douglas and Ian Campbell Ross), The Vicar of Wakefield: A Tale, Supposed to Be Written by Himself (first published 1766; Cambridge University Press, 2024) Oliver Goldsmith (ed. Arthur Friedman), The Vicar of Wakefield (first published 1766; Oxford University Press, 2008) Oliver Goldsmith (ed. Arthur Friedman), The Collected Works of Oliver Goldsmith, 5 vols (Clarendon Press, 1966) Oliver Goldsmith (ed. Robert L. Mack), Oliver Goldsmith: Everyman’s Poetry, No. 30 (Phoenix, 1997) Oliver Goldsmith (ed. James Ogden), She Stoops to Conquer (first performed 1773; Methuen Drama, 2003) Oliver Goldsmith (ed. James Watt), The Citizen of the World (first published 1762; Cambridge University Press, 2024) Oliver Goldsmith (ed. Nigel Wood), She Stoops to Conquer and Other Comedies (first performed 1773; Oxford University Press, 2007) Michael Griffin and David O’Shaughnessy (eds.), Oliver Goldsmith in Context (Cambridge University Press, 2024) Michael Griffin and David O’Shaughnessy (eds.), The Letters of Oliver Goldsmith (Cambridge University Press, 2018) Roger Lonsdale (ed.), The Poems of Gray, Collins and Goldsmith (Longmans, 1969) In Our Time is a BBC Studios Audio production
Mar 6, 2025 · 53 min
Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes. With: Frances Sands, the Curator of Drawings and Books at Sir John Soane’s Museum Frank Salmon, Associate Professor of the History of Art at the University of Cambridge and Director of the Ax:son Johnson Centre for the Study of Classical Architecture And Gillian Darley, historian and author of Soane's biography. Producer: Eliane Glaser In Our time is a BBC Studios Audio production. Reading list: Barry Bergdoll, European Architecture 1750-1890 (Oxford University Press, 2000) Bruce Boucher, John Soane's Cabinet of Curiosities: Reflections on an Architect and His Collection (Yale University Press, 2024) Oliver Bradbury, Sir John Soane’s Influence on Architecture from 1791: An Enduring Legacy (Routledge, 2015) Gillian Darley, John Soane: An Accidental Romantic (Yale University Press, 1999) Ptolemy Dean, Sir John Soane and the Country Estate (Ashgate, 1999) Ptolemy Dean, Sir John Soane and London (Lund Humphries, 2006) Helen Dorey, John Soane and J.M.W. Turner: Illuminating a Friendship (Sir John Soane’s Museum, 2007) Tim Knox, Sir John Soane’s Museum (Merrell, 2015) Brian Lukacher, Joseph Gandy: An Architectural Visionary in Georgian England (Thames and Hudson, 2006) Susan Palmer, At Home with the Soanes: Upstairs, Downstairs in 19th Century London (Pimpernel Press, 2015) Frances Sands, Architectural Drawings: Hidden Masterpieces at Sir John Soane’s Museum (Batsford, 2021) Sir John Soane’s Museum, A Complete Description (Sir John Soane’s Museum, 2018) Mary Ann Stevens and Margaret Richardson (eds.), John Soane Architect: Master of Space and Light (Royal Academy Publications, 1999) John Summerson, Architecture in Britain 1530-1830 (9th edition, Yale University Press, 1993) A.A. Tait, Robert Adam: Drawings and Imagination (Cambridge University Press, 1993) John H. Taylor, Sir John Soane’s Greatest Treasure: The Sarcophagus of Seti I (Pimpernel Press, 2017) David Watkin, Sir John Soane: Enlightenment Thought and the Royal Academy Lectures (Cambridge University Press, 1996) David Watkin, Sir John Soane: The Royal Academy Lectures (Cambridge University Press, 2000) John Wilton-Ely, Piranesi, Paestum & Soane (Prestel, 2013)
Jan 23, 2025 · 56 min
Melvyn Bragg and guests discuss eighteenth century 'vase-mania'. In the second half of the century, inspired by archaeological discoveries, the Grand Tour and the founding of the British Museum, parts of the British public developed a huge enthusiasm for vases modelled on the ancient versions recently dug up in Greece. This enthusiasm amounted to a kind of ‘vase-mania’. Initially acquired by the aristocracy, Josiah Wedgwood made these vases commercially available to an emerging aspiring middle class eager to display a piece of the Classical past in their drawing rooms. In the midst of a rapidly changing Britain, these vases came to symbolise the birth of European Civilisation, the epitome of good taste and the timelessness that would later be celebrated by John Keats in his Ode on a Grecian Urn. With Jenny Uglow Writer and Biographer Rosemary Sweet Professor of Urban History at the University of Leicester And Caroline McCaffrey-Howarth Lecturer in the History of Art at the University of Edinburgh Producer: Eliane Glaser Reading list: Viccy Coltman, Fabricating the Antique: Neoclassicism in Britain 1760–1800 (University of Chicago Press, 2006) David Constantine, Fields of Fire: A Life of Sir William Hamilton (Phoenix, 2002) Tristram Hunt, The Radical Potter: Josiah Wedgwood and the Transformation of Britain (Allen Lane, 2021) Ian Jenkins and Kim Sloan (eds), Vases and Volcanoes: Sir William Hamilton and his Collection (British Museum Press, 1996) Berg Maxine, Luxury and Pleasure in Eighteenth-Century Britain (Oxford University Press, 2005) Iris Moon, Melancholy Wedgwood (MIT Press, 2024) Rosemary Sweet, Grand Tour: The British in Italy, c.1690–1820 (Cambridge University Press, 2012) Jenny Uglow, The Lunar Men: The Friends who Made the Future (Faber and Faber, 2003) In Our Time is a BBC Studios Audio production
Jan 16, 2025 · 57 min
Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards. With Judith Mossman Professor Emerita of Classics at Coventry University Andrew Erskine Professor of Ancient History at the University of Edinburgh And Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Producer: Simon Tillotson Reading list: Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014) Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6 Raphaëla Dubreuil, Theater and Politics in Plutarch’s Parallel Lives (Brill, 2023) Tim Duff, Plutarch’s Lives: Exploring Virtue and Vice (Oxford University Press, 1999) Noreen Humble (ed.), Plutarch’s Lives: Parallelism and Purpose (Classical Press of Wales, 2010) Robert Lamberton, Plutarch (Yale University Press, 2002) Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016) Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002) Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016) Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005) Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010) Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006) Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998) Geert Roskam, Plutarch (Cambridge University Press, 2021) D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001) Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014) Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023) In Our Time is a BBC Studios Audio Production
Jan 2, 2025 · 52 min
Melvyn Bragg and guests discuss one of the greatest romantic poets in Persian literature. Nizami Ganjavi (c1141–1209) is was born in the city of Ganja in what is now Azerbaijan and his popularity soon spread throughout the Persian-speaking lands and beyond. Nizami is best known for his Khamsa, a set of five epic poems that contains a famous retelling of the tragic love story of King Khosrow II (c570-628) and the Christian princess Shirin (unknown-628) and the legend of Layla and Majnun. Not only did he write romances: his poetry also displays a dazzling knowledge of philosophy, astronomy, botany and the life of Alexander the Great. With Christine van Ruymbeke Professor of Persian Literature and Culture at the University of Cambridge Narguess Farzad Senior Lecturer in Persian Studies at SOAS, University of London And Dominic Parviz Brookshaw Professor of Persian Literature and Iranian Culture at the University of Oxford Producer: Simon Tillotson Reading list: Laurence Binyon, The Poems of Nizami (The Studio Limited, 1928) Barbara Brend, Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library (Gingko, 2020) Barbara Brend, The Emperor Akbar’s Khamsa of Nizami (British Library, 1995) J-C. Burgel and C. van Ruymbeke, A Key to the Treasure of the Hakim: Artistic and Humanistic Aspects of Nizami Ganjavi’s Khamsa (Leiden University Press, 2011) Nizami Ganjavi (trans. P.J. Chelkowski), Mirror of the Invisible World: Tales from the Khamseh of Nizami (Metropolitan Museum of Art, 1975) Nizami Ganjavi (trans. Dick Davis), Layli and Majnun (Penguin Books, 2021) Nizami Ganjavi (trans. Rudolf Gelpke), The Story of Layla and Majnun (first published 1966: Omega Publications, 1997) Nizami Ganjavi (trans. Rudolf Gelpke), The Story of the Seven Princesses (Bruno Cassirer Ltd, 1976) Nizami Ganjavi (trans. Julie Scott Meisami, The Haft Paykar: A Medieval Persian Romance (Oxford University Press, 1995) Nizami Ganjavi (trans. Colin Turner), Layla and Majnun (Blake Publishing, 1997) Dominic Parviz Brookshaw, Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth-Century Iran (Bloomsbury, 2019) Julie Scott Meisami, Medieval Persian Court Poetry (Princeton University Press, 2014) Asghar Seyed-Gohrab, Layli and Majnun: Love, Madness and Mystic Longing in Nizami’s Epic Romance (Brill, 2003) Kamran Talattof, Jerome W. Clinton, and K. Allin Luther, The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric (Palgrave, 2000) C. van Ruymbeke, Science and Poetry in Medieval Persia: The Botany of Nizami's Khamsa (Cambridge University Press, 2007) In Our Time is a BBC Studios Audio Production
Dec 19, 2024 · 49 min
Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world. With Guido Bonsaver Professor of Italian Cultural History at the University of Oxford Jennifer Burns Professor of Italian Studies at the University of Warwick And Beatrice Sica Associate Professor in Italian Studies at UCL Producer: Simon Tillotson Reading list: Elio Baldi, The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020) Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino’s Invisible Cities Around the World (Routledge, 2024) Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters’ James Butler, ‘Infinite Artichoke’ (London Review of Books, vol. 45, no. 12, 15 June 2023) Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders’ Nests (first published 1947; Penguin Classics, 2009) Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021) Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023) Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018) Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997) Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987) Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016) Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014) Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023) Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992) Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998) In Our Time is a BBC Studios Audio Production
Dec 5, 2024 · 52 min
Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world’. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. With Helen Wilcox Professor Emerita of English Literature at Bangor University Victoria Moul Formerly Professor of Early Modern Latin and English at UCL And Simon Jackson Director of Music and Director of Studies in English at Peterhouse, University of Cambridge Producer: Simon Tillotson Reading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977) Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014) George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015) George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007) Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022) Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017) Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004) Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022) Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981) Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975) James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995) Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production
Nov 21, 2024 · 48 min
Melvyn Bragg and guests discuss Louisa May Alcott's 1868 novel, credited with starting the new genre of young adult fiction. When Alcott (1832-88) wrote Little Women, she only did so as her publisher refused to publish her father's book otherwise and as she hoped it would make money. It made Alcott's fortune. This coming of age story of Meg, Jo, Beth and Amy March, each overcoming their own moral flaws, has delighted generations of readers and was so popular from the start that Alcott wrote the second part in 1869 and further sequels and spin-offs in the coming years. Her work has inspired countless directors, composers and authors to make many reimagined versions ever since, with the sisters played by film actors such as Katherine Hepburn, Elizabeth Taylor, Winona Ryder, Claire Danes, Kirsten Dunst, Saoirse Ronan and Emma Watson. With Bridget Bennett Professor of American Literature and Culture at the University of Leeds Erin Forbes Senior Lecturer in African American and U.S. Literature at the University of Bristol And Tom Wright Reader in Rhetoric and Head of the Department of English Literature at the University of Sussex Producer: Simon Tillotson Reading list: Louisa May Alcott (ed. Madeline B Stern), Behind a Mask: The Unknown Thrillers of Louisa May Alcott (William Morrow & Co, 1997) Kate Block, Jenny Zhang, Carmen Maria Machado and Jane Smiley, March Sisters: On Life, Death, and Little Women (Library of America, 2019) Anne Boyd Rioux, Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (W. W. Norton & Company, 2018) Azelina Flint, The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti (Routledge, 2021) Robert Gross, The Transcendentalists and Their World (Farrar, Straus and Giroux, 2022) John Matteson, Eden’s Outcasts: The Story of Louisa May Alcott and Her Father (W. W. Norton & Company, 2007) Bethany C. Morrow, So Many Beginnings: A Little Women Remix (St Martin’s Press, 2021) Anne K. Phillips and Gregory Eiselein (eds.), Critical Insights: Louisa May Alcott (Grey House Publishing Inc, 2016) Harriet Reisen, Louisa May Alcott: The Woman Behind Little Women (Picador, 2010) Daniel Shealy (ed.), Little Women at 150 (University of Mississippi Press, 2022) Elaine Showalter, A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (Virago, 2009) Simon Sleight and Shirleene Robinson (eds.), Children, Childhood and Youth in the British World (Palgrave, 2016), especially “The ‘Willful’ Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls” by Hilary Emmett Madeleine B. Stern, Louisa May Alcott: A Biography (first published 1950; Northeastern University Press, 1999) In Our Time is a BBC Studios Audio Production
Nov 7, 2024 · 55 min
Melvyn Bragg and guests discuss the author of 'I, Claudius' who was also one of the finest poets of the twentieth century. Robert Graves (1895 -1985) placed his poetry far above his prose. He once declared that from the age of 15 poetry had been his ruling passion and that he lived his life according to poetic principles, writing in prose only to pay the bills and that he bred the pedigree dogs of his prose to feed the cats of his poetry. Yet it’s for his prose that he’s most famous today, including 'I Claudius', his brilliant account of the debauchery of Imperial Rome, and 'Goodbye to All That', the unforgettable memoir of his early life including the time during the First World War when he was so badly wounded at the Somme that The Times listed him as dead. With Paul O’Prey Emeritus Professor of Modern Literature at the University of Roehampton, London Fran Brearton Professor of Modern Poetry at Queen’s University, Belfast And Bob Davis Professor of Religious and Cultural Education at the University of Glasgow Producer: Simon Tillotson Robert Graves (ed. Paul O'Prey), In Broken Images: Selected Letters of Robert Graves 1914-1946 (Hutchinson, 1982) Robert Graves (ed. Paul O'Prey), Between Moon and Moon: Selected letters of Robert Graves 1946-1972 (Hutchinson, 1984) Robert Graves (ed. Beryl Graves and Dunstan Ward), The Complete Poems (Penguin Modern Classics, 2003) Robert Graves, I, Claudius (republished by Penguin, 2006) Robert Graves, King Jesus (republished by Penguin, 2011) Robert Graves, The White Goddess (republished by Faber, 1999) Robert Graves, The Greek Myths (republished by Penguin, 2017) Robert Graves (ed. Michael Longley), Selected Poems (Faber, 2013) Robert Graves (ed. Fran Brearton, intro. Andrew Motion), Goodbye to All That: An Autobiography: The Original Edition (first published 1929; Penguin Classics, 2014) William Graves, Wild Olives: Life in Majorca with Robert Graves (Pimlico, 2001) Richard Perceval Graves, Robert Graves: The Assault Heroic, 1895-1926 (Macmillan, 1986, vol. 1 of the biography) Richard Perceval Graves, Robert Graves: The Years with Laura, 1926-1940 (Viking, 1990, vol. 2 of the biography) Richard Perceval Graves, Robert Graves and the White Goddess, 1940-1985 (Orion, 1995, vol. 3 of the biography) Miranda Seymour: Robert Graves: Life on the Edge (Henry Holt & Co, 1995) In Our Time is a BBC Studios Audio Production
Jul 25, 2024 · 51 min
Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist. With Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames' Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland And Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’ In Our Time is a BBC Studios Audio Production Producer: Simon Tillotson Studio production: John Goudie Reading list: Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017) Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’ Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983) Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990) Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998) Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005) Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998) Grace Seiberling, Monet in London (High Museum of Art, 1988) Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition) Charles Stuckey, Monet: A Retrospective (Random House, 1985) Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022) Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)
Jul 11, 2024 · 55 min
Melvyn Bragg and guests discuss "The History of Tom Jones, A Foundling" (1749) by Henry Fielding (1707-1754), one of the most influential of the early English novels and a favourite of Dickens. Coleridge wrote that it had one of the 'three most perfect plots ever planned'. Fielding had made his name in the theatre with satirical plays that were so painful for their targets in government that, from then until the 1960s, plays required approval before being staged; seeking other ways to make a living, Fielding turned to law and to fiction. 'Tom Jones' is one of the great comic novels, with the tightness of a farce and the ambition of a Greek epic as told by the finest raconteur. While other authors might present Tom as a rake and a libertine, Fielding makes him the hero for his fundamental good nature, so offering a caution not to judge anyone too soon, if ever. With Judith Hawley Professor of 18th Century Literature at Royal Holloway, University of London Henry Power Professor of English Literature at the University of Exeter And Charlotte Roberts Associate Professor of English Literature at University College London Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production Reading list: Martin C. Battestin with Ruthe R. Battestin, Henry Fielding: A Life (Routledge, 1989) J. M. Beattie, The First English Detectives: The Bow Street Runners and the Policing of London, 1750–1840 (Oxford University Press, 2012) S. Dickie, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (University of Chicago Press, 2011) J.A. Downie (ed.), The Oxford Handbook of the Eighteenth-Century Novel (Oxford University Press, 2020) Henry Fielding (ed. John Bender and Simon Stern), The History of Tom Jones (Oxford University Press, 2008) Henry Fielding (ed. Tom Keymer), The Journal of a Voyage to Lisbon (Penguin Classics, 1996) Ronald Paulson, The Life of Henry Fielding: A Critical Biography (Wiley Blackwell, 2000) Henry Power, Epic into Novel: Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Oxford University Press, 2015) Claude Rawson, Henry Fielding and the Augustan Ideal under Stress (first published 1972; Routledge, 2021) Claude Rawson (ed.), The Cambridge Companion to Henry Fielding (Cambridge University Press, 2007)
Jun 6, 2024 · 58 min
Melvyn Bragg and guests discuss 'the greatest poet of his age', Thomas Wyatt (1503 -1542), who brought the poetry of the Italian Renaissance into the English Tudor world, especially the sonnet, so preparing the way for Shakespeare and Donne. As an ambassador to Henry VIII and, allegedly, too close to Anne Boleyn, he experienced great privilege under intense scrutiny. Some of Wyatt's poems, such as They Flee From Me That Sometime Did Me Seek, are astonishingly fresh and conversational and yet he wrote them under the tightest constraints, when a syllable out of place could have condemned him to the Tower. With Brian Cummings 50th Anniversary Professor of English at the University of York Susan Brigden Retired Fellow at Lincoln College, University of Oxford And Laura Ashe Professor of English Literature at the University of Oxford Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production Reading list: Thomas Betteridge and Suzannah Lipscomb (eds.), Henry VIII and the Court: Art, Politics and Performance (Routledge, 2016) Susan Brigden, Thomas Wyatt: The Heart’s Forest (Faber, 2012) Nicola Shulman, Graven with Diamonds: The Many Lives of Thomas Wyatt: Courtier, Poet, Assassin, Spy (Short Books, 2011) Chris Stamatakis, Sir Thomas Wyatt and the Rhetoric of Rewriting (Oxford University Press, 2012) Patricia Thomson (ed.), Thomas Wyatt: The Critical Heritage (Routledge, 1995) Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005) Thomas Wyatt (ed. R. A. Rebholz), The Complete Poems (Penguin, 1978)
May 23, 2024 · 1 hr
Melvyn Bragg and guests discuss one of the greatest European playwrights of the twentieth century. The aim of Bertolt Brecht (1898-1956) was to make the familiar ‘strange’: with plays such as Mother Courage and The Caucasian Chalk Circle he wanted his audience not to sit back but to engage, observe and discover the contradictions in life, and act on what they learnt. He developed this approach in turbulent times, from Weimar Germany to the rise of the Nazis, to exile in Scandinavia and America and then post-war life in East Berlin, and he has since inspired dramatists around the world. With Laura Bradley Professor of German and Theatre at the University of Edinburgh David Barnett Professor of Theatre at the University of York And Tom Kuhn Professor of Twentieth Century German Literature, Emeritus Fellow of St Hugh's College, University of Oxford Producer: Simon Tillotson In Our Time is a BBC Studios Audio production Reading list: David Barnett, Brecht in Practice: Theatre, Theory and Performance (Bloomsbury, 2014) David Barnett, A History of the Berliner Ensemble (Cambridge University Press, 2015) Laura Bradley and Karen Leeder (eds.), Brecht and the GDR: Politics, Culture, Posterity (Camden House, 2015) Laura Bradley, ‘Training the Audience: Brecht and the Art of Spectatorship’ (The Modern Language Review, 111, 2016) Bertolt Brecht (ed. Marc Silberman, Tom Kuhn and Steve Giles), Brecht on Theatre (Bloomsbury, 2014) Bertolt Brecht (ed. Tom Kuhn, Steve Giles and Marc Silberman), Brecht on Performance (Bloomsbury, 2014) Bertolt Brecht (trans. Tom Kuhn and David Constantine), The Collected Poems of Bertolt Brecht (Norton Liveright, 2018) which includes the poem ‘Spring 1938’ read by Tom Kuhn in this programme Stephen Brockmann (ed.), Bertolt Brecht in Context (Cambridge University Press, 2021) Meg Mumford, Bertolt Brecht (Routledge, 2009) Stephen Parker, Bertolt Brecht: A Literary Life (Bloomsbury, 2014) Ronald Speirs, Brecht’s Poetry of Political Exile (Cambridge University Press, 2000) David Zoob, Brecht: A Practical Handbook (Nick Hern Books, 2018)
May 9, 2024 · 55 min
Melvyn Bragg and guests discuss Aristophanes' comedy in which the women of Athens and Sparta, led by Lysistrata, secure peace in the long-running war between them by staging a sex strike. To the men in the audience in 411BC, the idea that peace in the Peloponnesian War could be won so easily was ridiculous and the thought that their wives could have so much power over them was even more so. However Aristophanes' comedy also has the women seizing the treasure in the Acropolis that was meant to fund more fighting in an emergency, a fund the Athenians had recently had to draw on. They were in a perilous position and, much as they might laugh at Aristophanes' jokes, they knew there were real concerns about the actual cost of the war in terms of wealth and manpower. With Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Sarah Miles Associate Professor in the Department of Classics and Ancient History at Durham University And James Robson Professor of Classical Studies at the Open University Producer: Simon Tillotson Reading list: Aristophanes (ed. Jeffrey Henderson), Lysistrata (Oxford University Press, 1987) Aristophanes (ed. Jeffrey Henderson), Three Plays by Aristophanes: Staging Women (Routledge, 2010) Aristophanes (ed. Jeffrey Henderson), Birds; Lysistrata; Women at the Thesmophoria (Loeb Classical Library series, Harvard University Press, 2014) Aristophanes (ed. Alan H. Sommerstein), Lysistrata and Other Plays: The Acharnians; The Clouds; Lysistrata (Penguin, 2002) Aristophanes (ed. Alan H. Sommerstein), Lysistrata (Aris & Phillips, 1998) Paul Cartledge, Aristophanes and his Theatre of the Absurd (Bristol Classical Press, 1999) Kenneth Dover, Aristophanic Comedy (University of California Press, 1972) Germaine Greer, Lysistrata: The Sex Strike: After Aristophanes (Aurora Metro Press, 2000) Tony Harrison, The Common Chorus: A Version of Aristophanes’ Lysistrata (Faber & Faber, 1992) Douglas M. MacDowell, Aristophanes and Athens: An Introduction to the Plays (Oxford University Press, 1995) S. Douglas Olson (ed.), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (De Gruyter, 2013), especially 'She (Don't) Gotta Have It: African-American reception of Lysistrata' by Kevin Wetmore James Robson, Aristophanes: Lysistrata, Bloomsbury ancient comedy companions (Bloomsbury, 2023) James Robson, Aristophanes: An Introduction (Duckworth, 2009) Ralph M. Rosen and Helene P. Foley (eds.), Aristophanes and Politics. New Studies (Brill, 2020) Donald Sells, Parody, Politics and the Populace in Greek Old Comedy (Bloomsbury, 2018) David Stuttard (ed.), Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy (Bristol Classical Press, 2010)
Apr 25, 2024 · 50 min
Melvyn Bragg and guests discuss the Finnish epic poem that first appeared in print in 1835 in what was then the Grand Duchy of Finland, part of the Russian Empire and until recently part of Sweden. The compiler of this epic was a doctor, Elias Lönnrot (1802-1884), who had travelled the land to hear traditional poems about mythical heroes being sung in Finnish, the language of the peasantry, and writing them down in his own order to create this landmark work. In creating The Kalevala, Lönnrot helped the Finns realise they were a distinct people apart from Sweden and Russia, who deserved their own nation state and who came to demand independence, which they won in 1917. With Riitta Valijärvi Associate Professor in Finnish and Minority Languages at University College London Thomas Dubois The Halls-Bascom Professor of Scandinavian Folklore and Literature at the University of Wisconsin-Madison And Daniel Abondolo Formerly Reader in Hungarian at University College London Producer: Simon Tillotson Reading list: Nigel Fabb, What is Poetry? Language and Memory in the Poems of the World (Cambridge University Press, 2015) Frog, Satu Grünthal, Kati Kallio and Jarkko Niemi (eds), Versification: Metrics in Practice (Finnish Literature Society, 2021) Riho Grünthal et al., ‘Drastic demographic events triggered the Uralic spread’ (Diachronica, Volume 39, Issue 4, Aug 2022) Lauri Honko (ed.), The Kalevala and the World's Traditional Epics (Finnish Literature Society, 2002) The Kalevala Heritage: Archive Recordings of Ancient Finnish Songs. Online Catalogue no. ODE8492. Mauri Kunnas, The Canine Kalevala (Otava Publishing, 1992) Kuusi, Matti, et al. (eds.), Finnish Folk Poetry: Epic (Finnish Literature Society, 1977) Elias Lönnrot (trans. John Martin Crawford), Kalevala: The Epic Poem of Finland (first published 1887; CreateSpace Independent Publishing Platform, 2017) Elias Lönnrot (trans. W. F. Kirby), Kalevala: The Land of the Heroes (first published by J.M. Dent & Sons, 1907, 2 vols.; Continuum International Publishing Group Ltd, 2000) Elias Lönnrot (trans. Francis Peabody Magoun Jr.), The Kalevala, or Poems of the Kaleva District (Harvard University Press, 1963) Elias Lönnrot (trans. Eino Friberg), The Kalevala: Epic of the Finnish People (Otava Publishing, 1988) Elias Lönnrot (trans. Keith Bosley), The Kalevala: An Epic Poem after Oral Tradition (Oxford University Press, 1989) Kirsti Mäkinen, Pirkko-Liisa Surojegin, Kaarina Brooks, An Illustrated Kalevala: Myths and Legends from Finland (Floris Books, 2020) Sami Makkonen, Kalevala: The Graphic Novel (Ablaze, 2024) Juha Y. Pentikäinen (trans. Ritva Poom), Kalevala Mythology, (Indiana University Press, 1999) Tina K. Ramnarine, Ilmatar’s Inspirations: Nationalism, Globalization and the Changing Soundscapes of Finnish Folk Music (University of Chicago Press, 2003) Jonathan Roper (ed.), Alliteration in Culture (Palgrave Macmillan, 2011), especially chapter 12 ‘Alliteration in (Balto-) Finnic Languages’ by Frog and Eila Stepanova Karl Spracklen, Metal Music and the Re-imagining of Masculinity, Place, Race and Nation (Emerald Publishing, 2020), especially the chapter ‘Finnish Folk Metal: Raising Drinking Horns in Mainstream Metal’ Leea Virtanen and Thomas A. DuBois, Finnish Folklore: Studia Fennica Folkloristica 9 (Finnish Literature Society, 2000)
Apr 11, 2024 · 52 min
Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack’ (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained’ (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820’ (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England’ by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz’ by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz’ Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)
Mar 14, 2024 · 50 min
Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You’re nothing but a pack of cards!' With Franziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern California Kiera Vaclavik Professor of Children’s Literature and Childhood Culture at Queen Mary, University of London And Robert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of Oxford Producer: Simon Tillotson Reading list: Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021) Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016) Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004) Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children’s Literature (first published 1985; Faber and Faber, 2009) Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000) Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011) Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015) Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016) Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024) Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022) Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016) Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021) Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020) Edward Wakeling, The Man and his Circle (IB Tauris, 2014) Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)
Jan 25, 2024 · 54 min
Melvyn Bragg and guests discuss one of Shakespeare’s great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other’s true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him. With Pascale Aebischer Professor of Shakespeare and Early Modern Performance Studies at the University of Exeter Michael Dobson Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of Birmingham And Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Produced by Simon Tillotson, Victoria Brignell and Luke Mulhall Reading list: C.L. Barber, Shakespeare’s Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011) Simone Chess, ‘Queer Residue: Boy Actors’ Adult Careers in Early Modern England’ (Journal for Early Modern Cultural Studies 19.4, 2020) Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023) Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014) John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies’ by Catherine Belsey Bart van Es, Shakespeare’s Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father’s house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night’ by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune’ (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England’ (Shakespeare Quarterly 39, 1988) Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022) Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996) William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005) William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008) Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019) Victoria Sparey, Shakespeare’s Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)
Jan 18, 2024 · 56 min
Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health. With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National Gallery Martin Bailey A leading Van Gogh specialist and correspondent for The Art Newspaper And Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries Scotland Producer: Simon Tillotson Reading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019) Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021) Martin Bailey, Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln, 2021) Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019) Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023) Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh’s First Masterpiece (Van Gogh Museum, 2021) Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012) Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009) Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020) Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022 Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022) Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)
Dec 28, 2023 · 59 min
Melvyn Bragg and guests discuss Poe (1809-1849), the American author who is famous for his Gothic tales of horror, madness and the dark interiors of the mind, such as The Fall of the House of Usher and The Tell-Tale Heart. As well as tapping at our deepest fears in poems such as The Raven, Poe pioneered detective fiction with his character C. Auguste Dupin in The Murders in the Rue Morgue. After his early death, a rival rushed out a biography to try to destroy Poe's reputation but he has only become more famous over the years as a cultural icon as well as an author. With Bridget Bennett Professor of American Literature and Culture at the University of Leeds Erin Forbes Senior Lecturer in 19th-century African American and US Literature at the University of Bristol And Tom Wright Reader in Rhetoric at the University of Sussex Producer: Simon Tillotson Reading list: Peter Ackroyd, Poe: A Life Cut Short (Vintage, 2009) Amy Branam Armiento and Travis Montgomery (eds.), Poe and Women: Recognition and Revision (Lehigh University Press, 2023) Joan Dayan, Fables of Mind: An Inquiry into Poe's Fiction (Oxford University Press, 1987) Erin Forbes, ‘Edgar Allan Poe in the Great Dismal Swamp’ (Modern Philology, 2016) Kevin J. Hayes (ed.), Edgar Allan Poe in Context (Cambridge University Press, 2012) J. Gerald Kennedy and Scott Peeples (eds.), The Oxford Handbook of Edgar Allan Poe (Oxford University Press, 2018) Jill Lepore, 'The Humbug: Poe and the Economy of Horror' (The New Yorker, April 20, 2009) Toni Morrison, Playing in the Dark (Vintage, 1993) Scott Peeples and Michelle Van Parys, The Man of the Crowd: Edgar Allan Poe and the City (Princeton University Press, 2020) Edgar Allan Poe, The Portable Edgar Allan Poe (Penguin, 2006) Shawn Rosenhelm and Stephen Rachman (eds.), The American Face of Edgar Allan Poe (Johns Hopkins University Press, 1995)
Dec 21, 2023 · 46 min
Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite’s life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers. With Sara Barker Associate Professor of Early Modern History and Director of the Centre for the Comparative History of Print at the University of Leeds Emily Butterworth Professor of Early Modern French at King’s College London And Emma Herdman Lecturer in French at the University of St Andrews Producer: Simon Tillotson Reading list: Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013) Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022) Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006) Gary Ferguson, Mirroring Belief: Marguerite de Navarre’s Devotional Poetry (Edinburgh University Press, 1992) Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013) Mark Greengrass, The French Reformation (John Wiley & Sons, 1987) R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008) R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008) John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron’ and Early Modern Culture (University of Pennsylvania Press, 1993) Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004) Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008) Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999) Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989) Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L’Heptaméron (Libraririe générale française, 1999) Jonathan A. Reid, King’s Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009) Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre’s Biblical Feminism’ (Tulsa Studies in Women’s Literature, 5, 1986) Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)
Dec 14, 2023 · 56 min
Melvyn Bragg and guests discuss the most influential work of Thorstein Veblen (1857-1929). In 1899, during America’s Gilded Age, Veblen wrote The Theory of the Leisure Class as a reminder that all that glisters is not gold. He picked on traits of the waning landed class of Americans and showed how the new moneyed class was adopting these in ways that led to greater waste throughout society. He called these conspicuous leisure and conspicuous consumption and he developed a critique of a system that favoured profits for owners without regard to social good. The Theory of the Leisure Class was a best seller and funded Veblen for the rest of his life, and his ideas influenced the New Deal of the 1930s. Since then, an item that becomes more desirable as it becomes more expensive is known as a Veblen good. With Matthew Watson Professor of Political Economy at the University of Warwick Bill Waller Professor of Economics at Hobart and William Smith Colleges, New York And Mary Wrenn Senior Lecturer in Economics at the University of the West of England Producer: Simon Tillotson Reading list: Charles Camic, Veblen: The Making of an Economist who Unmade Economics (Harvard University Press, 2021) John P. Diggins, Thorstein Veblen: Theorist of the Leisure Class (Princeton University Press, 1999) John P. Diggins, The Bard of Savagery: Thorstein Veblen and Modern Social Theory (Seabury Press, 1978) John Kenneth Galbraith, The Affluent Society (Penguin, 1999) Robert Heilbroner, The Worldly Philosophers: The Lives, Times and Ideas of the Great Economic Thinkers (Penguin, 2000), particularly the chapter ‘The Savage Society of Thorstein Veblen’ Ken McCormick, Veblen in Plain English: A Complete Introduction to Thorstein Veblen’s Economics (Cambria Press, 2006) Sidney Plotkin and Rick Tilman, The Political Ideas of Thorstein Veblen (Yale University Press, 2012) Juliet B. Schor, The Overspent American: Why We Want What We Don't Need (William Morrow & Company, 1999) Juliet B. Schor, Born to Buy: The Commercialized Child and the New Consumer Culture (Simon & Schuster Ltd, 2005) Thorstein Veblen, The Theory of the Leisure Class (first published 1899; Oxford University Press, 2009) Thorstein Veblen, The Theory of Business Enterprise (first published 1904; Legare Street Press, 2022) Thorstein Veblen, The Higher Learning in America (first published 2018; Johns Hopkins University Press, 2015) Thorstein Veblen, Absentee Ownership and Business Enterprise in Recent Times: The Case of America (first published 1923; Routledge, 2017) Thorstein Veblen, Conspicuous Consumption (Penguin, 2005) Thorstein Veblen, The Complete Works (Musaicum Books, 2017) Charles J. Whalen (ed.), Institutional Economics: Perspective and Methods in Pursuit of a Better World (Routledge, 2021)
Nov 23, 2023 · 52 min
Melvyn Bragg and guests discuss Emile Zola's greatest literary success, his thirteenth novel in a series exploring the extended Rougon-Macquart family. The relative here is Etienne Lantier, already known to Zola’s readers as one of the blighted branch of the family tree and his story is set in Northern France. It opens with Etienne trudging towards a coalmine at night seeking work, and soon he is caught up in a bleak world in which starving families struggle and then strike, as they try to hold on to the last scraps of their humanity and the hope of change. With Susan Harrow Ashley Watkins Chair of French at the University of Bristol Kate Griffiths Professor in French and Translation at Cardiff University And Edmund Birch Lecturer in French Literature and Director of Studies at Churchill College & Selwyn College, University of Cambridge Producer: Simon Tillotson Reading list: David Baguley, Naturalist Fiction: The Entropic Vision (Cambridge University Press, 1990) William Burgwinkle, Nicholas Hammond and Emma Wilson (eds.), The Cambridge History of French Literature (Cambridge University Press, 2011), particularly ‘Naturalism’ by Nicholas White Kate Griffiths, Emile Zola and the Artistry of Adaptation (Legenda, 2009) Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio, and Print (University of Wales Press, 2013) Anna Gural-Migdal and Robert Singer (eds.), Zola and Film: Essays in the Art of Adaptation (McFarland & Co., 2005) Susan Harrow, Zola, The Body Modern: Pressures and Prospects of Representation (Legenda, 2010) F. W. J. Hemmings, The Life and Times of Emile Zola (first published 1977; Bloomsbury, 2013) William Dean Howells, Emile Zola (The Floating Press, 2018) Lida Maxwell, Public Trials: Burke, Zola, Arendt, and the Politics of Lost Causes (Oxford University Press, 2014) Brian Nelson, Emile Zola: A Very Short Introduction (Oxford University Press, 2020) Brian Nelson (ed.), The Cambridge Companion to Emile Zola (Cambridge University Press, 2007) Sandy Petrey, Realism and Revolution: Balzac, Stendhal, Zola, and the Performances of History (Cornell University Press, 1988) Arthur Rose, ‘Coal politics: receiving Emile Zola's Germinal’ (Modern & contemporary France, 2021, Vol.29, 2) Philip D. Walker, Emile Zola (Routledge, 1969) Emile Zola (trans. Peter Collier), Germinal (Oxford University Press, 1993) Emile Zola (trans. Roger Pearson), Germinal (Penguin Classics, 2004)
Oct 19, 2023 · 49 min
In the 1000th edition of In Our Time, Melvyn Bragg and guests discuss arguably the most celebrated film of the Swedish director Ingmar Bergman (1918-2007). It begins with an image that, once seen, stays with you for the rest of your life: the figure of Death playing chess with a Crusader on the rocky Swedish shore. The release of this film in 1957 brought Bergman fame around the world. We see Antonius Block, the Crusader, realising he can’t beat Death but wanting to prolong this final game for one last act, without yet knowing what that act might be. As he goes on a journey through a plague ridden world, his meeting with a family of jesters and their baby offers him some kind of epiphany. With Jan Holmberg Director of the Ingmar Bergman Foundation, Stockholm Claire Thomson Professor of Cinema History and Director of the School of European Languages, Culture and Society at University College London And Laura Hubner Professor of Film at the University of Winchester Producer: Simon Tillotson Reading list: Alexander Ahndoril (trans. Sarah Death), The Director (Granta, 2008) Ingmar Bergman (trans. Marianne Ruuth), Images: My Life in Film (Faber and Faber, 1995) Ingmar Bergman (trans. Joan Tate), The Magic Lantern: An Autobiography (Viking, 1988) Ingmar Bergman (trans. Joan Tate), The Best Intentions (Vintage, 2018) Ingmar Bergman (trans. Joan Tate), Sunday’s Children (Vintage, 2018) Ingmar Bergman (trans. Joan Tate), Private Confessions (Vintage, 2018) Stig Björkman, Torsten Manns and Jonas Sima (trans. Paul Britten Austin), Bergman on Bergman: Interviews with Ingmar Bergman (Da Capo Press, 1993) Melvyn Bragg, The Seventh Seal: BFI Film Classics (British Film Institute, 1993) Paul Duncan and Bengt Wanselius (eds.), The Ingmar Bergman Archives (Taschen/Max Ström, 2018) Erik Hedling (ed.), Ingmar Bergman: An Enduring Legacy (Lund University Press, 2021) Laura Hubner, The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007) Daniel Humphrey, Queer Bergman: Sexuality, Gender, and the European Art Cinema (University of Texas Press, 2013) Maaret Koskinen (ed.), Bergman Revisited: Performance, Cinema, and the Arts (Wallflower Press, 2008) Selma Lagerlöf (trans. Peter Graves), The Phantom Carriage (Norvik Press, 2011) Mariah Larsson and Anders Marklund (eds.), Swedish Film: An Introduction and Reader (Nordic Academic Press, 2010) Paisley Livingston, Ingmar Bergman and the Rituals of Art (Cornell University Press, 2019) Birgitta Steene (ed.), Focus on The Seventh Seal (Prentice Hall, 1972) Birgitta Steene, Ingmar Bergman: A Reference Guide (Amsterdam University Press, 2014)
Jul 13, 2023 · 49 min
Death in Venice is Thomas Mann’s most famous – and infamous - novella. Published in 1912, it’s about the fall of the repressed writer Gustav von Aschenbach, when his supposedly objective appreciation of a young boy’s beauty becomes sexual obsession. It explores the link between creativity and self-destruction, and by the end Aschenbach’s humiliation is complete, dying on a deckchair in the act of ogling. Aschenbach's stalking of the boy and dreaming of pederasty can appal modern readers, even more than Mann expected. With Karolina Watroba, Post-Doctoral Research Fellow in Modern Languages at All Souls College, University of Oxford Erica Wickerson, a Former Research Fellow at St Johns College, University of Cambridge Sean Williams, Senior Lecturer in German and European Cultural History at the University of Sheffield Sean Williams' series of Radio 3's The Essay, Death in Trieste, can be found here: https://www.bbc.co.uk/programmes/m001lzd4
Jul 6, 2023 · 55 min
Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of Oxford Edith Hall, Professor of Classics at Durham University
Jun 15, 2023 · 49 min
In the year 29 BC the great Roman poet Virgil published these lines: Blessed is he who has succeeded in learning the laws of nature’s working, has cast beneath his feet all fear and fate’s implacable decree, and the howl of insatiable Death. But happy too is he who knows the rural gods… They’re from his poem the Georgics, a detailed account of farming life in the Italy of the time. ‘Georgics’ means ‘agricultural things’, and it’s often been read as a farming manual. But it was written at a moment when the Roman world was emerging from a period of civil war, and questions of land ownership and management were heavily contested. It’s also a philosophical reflection on humanity’s relationship with the natural world, the ravages of time, and the politics of Virgil’s day. It’s exerted a profound influence on European writing about agriculture and rural life, and has much to offer environmental thinking today. With Katharine Earnshaw Senior Lecturer in Classics and Ancient History at the University of Exeter; Neville Morley Professor of Classics and Ancient History at the University of Exeter and Diana Spencer Professor of Classics at the University of Birmingham Producer: Luke Mulhall
May 25, 2023 · 50 min
Melvyn Bragg and guests discuss the highly influential American poet Walt Whitman. In 1855 Whitman was working as a printer, journalist and property developer when he published his first collection of poetry. It began: I celebrate myself, And what I assume you shall assume For every atom belonging to me as good belongs to you. The book was called Leaves of Grass. In it, Whitman set out to break away from European literary forms and traditions. Using long lines written in free verse, he developed a poetry meant to express a distinctively American outlook. Leaves of Grass is full of verse that celebrates both the sovereign individual, and the deep fellowship between individuals. Its optimism about the American experience was challenged by the Civil War and its aftermath, but Whitman emerged as a celebrity and a key figure in the development of American culture. With Sarah Churchwell Professor of American Literature and the Public Understanding of the Humanities at the University of London Peter Riley Lecturer in 19th Century American Literature at the University of Exeter and Mark Ford Professor of English and American Literature at University College London Producer Luke Mulhall
Apr 27, 2023 · 55 min
Melvyn Bragg and guests discuss Virginia Woolf's highly influential essay on women and literature, which considers both literary history and future opportunity. In 1928 Woolf gave two lectures at Cambridge University about women and fiction. In front of an audience at Newnham College, she delivered the following words: “All I could do was offer you an opinion upon one minor point - a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved”. These lectures formed the basis of a book she published the following year, and Woolf chose A Room Of One’s Own for its title. It is a text that set the scene for the study of women’s writing for the rest of the 20th century. Arguably, it initiated the discipline of women’s history too. With Hermione Lee Emeritus Professor of English Literature at the University of Oxford Michele Barrett Emeritus Professor of Modern Literary and Cultural Theory at Queen Mary, University of London and Alexandra Harris Professor of English at the University of Birmingham Producer Luke Mulhall
Apr 6, 2023 · 50 min
Melvyn Bragg and guests discuss the Ramayana, the ancient Hindu epic which is regarded as one of the greatest works of world literature. Its importance in Indian culture has been compared to that of the Iliad and Odyssey in the West, and it’s still seen as a sacred text by Hindus today. Written in Sanskrit, it tells the story of the legendary prince and princess Rama and Sita, and the many challenges, misfortunes and choices that they face. About 24,000 verses long, the Ramayana is also one of the longest ancient epics. It’s a text that’s been hugely influential and it continues to be popular in India and elsewhere in Asia. With Jessica Frazier Lecturer in the Study of Religion at the University of Oxford and a Fellow of the Oxford Centre for Hindu Studies Chakravarthi Ram-Prasad Distinguished Professor of Comparative Religion and Philosophy at Lancaster University and Naomi Appleton Senior Lecturer in Asian Religions at the University of Edinburgh The image above shows Rama, Sita, Hanuman, Lakshmana and devotees, from the Shree Jalaram Prarthana Mandal, Leicester. Producer Luke Mulhall
Mar 16, 2023 · 53 min
In 1957 Stevie Smith published a poetry collection called Not Waving But Drowning – and its title poem gave us a phrase which has entered the language. Its success has overshadowed her wider work as the author of more than half a dozen collections of poetry and three novels, mostly written while she worked as a secretary. Her poems, printed with her pen and ink sketches, can seem simple and comical, but often beneath the surface lurk themes of melancholy, loneliness, love and death. With Jeremy Noel-Tod Associate Professor in the School of Literature, Drama and Creative Writing at the University of East Anglia Noreen Masud Lecturer in Twentieth Century Literature at the University of Bristol and Will May Professor of Modern and Contemporary Literature at the University of Southampton The photograph above shows Stevie Smith recording her story Sunday at Home, a finalist in the BBC Third Programme Short Story competition in 1949.
Feb 9, 2023 · 52 min
Melvyn Bragg and guests discuss Donne (1573-1631), known now as one of England’s finest poets of love and notable in his own time as an astonishing preacher. He was born a Catholic in a Protestant country and, when he married Anne More without her father's knowledge, Donne lost his job in the government circle and fell into a poverty that only ended once he became a priest in the Church of England. As Dean of St Paul’s Cathedral, his sermons were celebrated, perhaps none more than his final one in 1631 when he was plainly in his dying days, as if preaching at his own funeral. The image above is from a miniature in the Royal Collection and was painted in 1616 by Isaac Oliver (1565-1617) With Mary Ann Lund Associate Professor in Renaissance English Literature at the University of Leicester Sue Wiseman Professor of Seventeenth Century Literature at Birkbeck, University of London And Hugh Adlington Professor of English Literature at the University of Birmingham
Jan 19, 2023 · 51 min
Melvyn Bragg and guests discuss Jane Austen’s last complete novel, which was published just before Christmas in 1817, five months after her death. It is the story of Anne Elliot, now 27 and (so we are told), losing her bloom, and of her feelings for Captain Wentworth who she was engaged to, 8 years before – an engagement she broke off under pressure from her father and godmother. When Wentworth, by chance, comes back into Anne Elliot's life, he is still angry with her and neither she nor Austen's readers can know whether it is now too late for their thwarted love to have a second chance. The image above is from a 1995 BBC adaptation of the novel, with Amanda Root and Ciarán Hinds With Karen O’Brien Vice-Chancellor of Durham University Fiona Stafford Professor of English Language and Literature at the University of Oxford And Paddy Bullard Associate Professor of English Literature and Book History at the University of Reading Producer: Simon Tillotson
Jan 12, 2023 · 54 min
Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film’s release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated. The image above is of Kane addressing a public meeting while running for Governor. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Ian Christie Professor of Film and Media History at Birkbeck, University of London And John David Rhodes Professor of Film Studies and Visual Culture at the University of Cambridge Producer: Simon Tillotson
Dec 29, 2022 · 55 min
Melvyn Bragg and guests discuss The Song of the Nibelungs, a twelfth century German epic, full of blood, violence, fantasy and bleakness. It is a foundational work of medieval literature, drawing on the myths of Scandinavia and central Europe. The poem tells of two couples, Siegfried and Kriemhild and Gunther and Brunhilda, whose lives are destroyed by lies and revenge. It was extremely popular in its time, sometimes rewritten with happier endings, and was rediscovered by German Romantics and has since been drawn from selectively by Wagner, Fritz Lang and, infamously, the Nazis looking to support ideas on German heritage. The image above is of Siegfried seeing Kriemhild for the first time, a miniature from the Hundeshagenschen Code manuscript dating from 15th Century. With Sarah Bowden Reader in German and Medieval Studies at King’s College London Mark Chinca Professor of Medieval German and Comparative Literature at the University of Cambridge And Bettina Bildhauer Professor of Modern Languages at the University of St Andrews Producer: Simon Tillotson
Dec 8, 2022 · 57 min
Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Berlin, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential. The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6 With Robin Schuldenfrei Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art Alan Powers History Leader at the London School of Architecture And Michael White Professor of the History of Art at the University of York Producer: Simon Tillotson
Nov 24, 2022 · 57 min
Melvyn Bragg and guests discuss the celebrated British poet of World War One. Wilfred Owen (1893-1918) had published only a handful of poems when he was killed a week before the end of the war, but in later decades he became seen as the essential British war poet. His works such as Anthem for Doomed Youth, Strange Meeting and Dulce et Decorum Est went on to be inseparable from the memory of the war and its futility. However, while Owen is best known for his poetry of the trenches, his letters offer a more nuanced insight into him such as his pride in being an officer in charge of others and in being a soldier who fought alongside his comrades. With Jane Potter Reader in The School of Arts at Oxford Brookes University Fran Brearton Professor of Modern Poetry at Queen’s University Belfast And Guy Cuthbertson Professor of British Literature and Culture at Liverpool Hope University Producer: Simon Tillotson
Nov 10, 2022 · 1 hr
Melvyn Bragg and guests discuss one of the influential painters at the heart of the French Impressionist movement: Berthe Morisot (1841-1895). The men in her circle could freely paint in busy bars and public spaces, while Morisot captured the domestic world and found new, daring ways to paint quickly in the open air. Her work shows women as they were, to her: informal, unguarded, and not transformed or distorted for the eyes of men. The image above is one of her few self-portraits, though several portraits of her survive by other artists, chiefly her sister Edma and her brother-in-law Edouard Manet. With Tamar Garb Professor of History of Art at University College London Lois Oliver Curator at the Royal Academy and Adjunct Professor of Art History at the American University of Notre Dame London. And Claire Moran Reader in French at Queen's University Belfast Producer: Simon Tillotson
Oct 13, 2022 · 53 min
Melvyn Bragg and guests discuss George Orwell's (1903-1950) final novel, published in 1949, set in a dystopian London which is now found in Airstrip One, part of the totalitarian superstate of Oceania which is always at war and where the protagonist, Winston Smith, works at the Ministry of Truth as a rewriter of history: 'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.' The influence of Orwell's novel is immeasurable, highlighting threats to personal freedom with concepts he named such as doublespeak, thoughtcrime, Room 101, Big Brother, memory hole and thought police. With David Dwan Professor of English Literature and Intellectual History at the University of Oxford Lisa Mullen Teaching Associate in Modern Contemporary Literature at the University of Cambridge And John Bowen Professor of English Literature at the University of York Producer: Simon Tillotson
Jul 28, 2022 · 54 min
Melvyn Bragg and guests discuss the origin of this personification of the English everyman and his development as both British and Britain in the following centuries. He first appeared along with Lewis Baboon (French) and Nicholas Frog (Dutch) in 1712 in a pamphlet that satirised the funding of the War of the Spanish Succession. The author was John Arbuthnot (1667-1735), a Scottish doctor and satirist who was part of the circle of Swift and Pope, and his John Bull was the English voter, overwhelmed by taxes that went not so much into the war itself but into the pockets of its financiers. For the next two centuries, Arbuthnot’s John Bull was a gift for cartoonists and satirists, especially when they wanted to ridicule British governments for taking advantage of the people’s patriotism. The image above is by William Charles, a Scottish engraver who emigrated to the United States, and dates from 1814 during the Anglo-American War of 1812. With Judith Hawley Professor of 18th Century Literature at Royal Holloway, University of London Miles Taylor Professor of British History and Society at Humboldt, University of Berlin And Mark Knights Professor of History at the University of Warwick Producer: Simon Tillotson
Jul 14, 2022 · 50 min
Melvyn Bragg and guests discuss the celebrated Welsh poet, Dylan Thomas (1914 - 1953). He wrote some of his best poems before he was twenty in the first half of his short, remarkable life, and was prolific in the second half too with poems such as those set in London under the Blitz and reworkings of his childhood in Swansea, and his famous radio play Under Milk Wood (performed after his death). He was read widely and widely heard: with his reading tours in America and recordings of his works that sold in their hundreds of thousands after his death, he is credited with reviving the act of poetry as performance in the 20th century. With Nerys Williams Associate Professor of Poetry and Poetics at University College Dublin John Goodby Professor of Arts and Culture at Sheffield Hallam University And Leo Mellor The Roma Gill Fellow in English at Murray Edwards College, University of Cambridge Producer: Simon Tillotson
Jun 9, 2022 · 47 min
Melvyn Bragg and guests discuss two of China’s greatest poets, Li Bai and Du Fu, who wrote in the 8th century in the Tang Era. Li Bai (701-762AD) is known for personal poems, many of them about drinking wine, and for finding the enjoyment in life. Du Fu (712-770AD), a few years younger, is more of an everyman, writing in the upheaval of the An Lushan Rebellion (755-763AD). Together they have been a central part of Chinese culture for over a millennium, reflecting the balance between the individual and the public life, and one sign of their enduring appeal is that there is rarely agreement on which of them is the greater. The image above is intended to depict Du Fu. With Tim Barrett Professor Emeritus of East Asian History at SOAS, University of London Tian Yuan Tan Shaw Professor of Chinese at the University of Oxford and Professorial Fellow at University College And Frances Wood Former Curator of the Chinese Collections at the British Library Producer: Simon Tillotson
May 19, 2022 · 49 min
Melvyn Bragg and guests discuss the French playwright who, in 1791, wrote The Declaration of the Rights of Woman and of the Female Citizen. This was Olympe de Gouges (1748-93) and she was responding to The Declaration of the Rights of Man and of the Citizen from 1789, the start of the French Revolution which, by excluding women from these rights, had fallen far short of its apparent goals. Where the latter declared ‘men are born equal’, she asserted ‘women are born equal to men,’ adding, ‘since women are allowed to mount the scaffold, they should also be allowed to stand in parliament and defend their rights’. Two years later this playwright, novelist, activist and woman of letters did herself mount the scaffold, two weeks after Marie Antoinette, for the crime of being open to the idea of a constitutional monarchy and, for two hundred years, her reputation died with her, only to be revived with great vigour in the last 40 years. With Catriona Seth Marshal Foch Professor of French Literature at the University of Oxford Katherine Astbury Professor of French Studies at the University of Warwick And Sanja Perovic Reader in 18th century French studies at King’s College London Producer: Simon Tillotson
May 5, 2022 · 51 min
Melvyn Bragg and guests discuss the influential novella of John Polidori (1795-1821) published in 1819 and attributed first to Lord Byron (1788-1824) who had started a version of it in 1816 at the Villa Diodati in the Year Without A Summer. There Byron, his personal physician Polidori, Mary and Percy Shelley and Claire Clairmont had whiled away the weeks of miserable weather by telling ghost stories, famously giving rise to Mary Shelley's 'Frankenstein'. Emerging soon after, 'The Vampyre' thrilled readers with its aristocratic Lord Ruthven who glutted his thirst with the blood of his victims, his status an abrupt change from the stories of peasant vampires of eastern and central Europe that had spread in the 18th Century with the expansion of the Austro-Hungarian empire. The connection with Lord Byron gave the novella a boost, and soon 'The Vampyre' spawned West End plays, penny dreadfuls such as 'Varney the Vampire', Bram Stoker’s 'Dracula', F.W Murnau's film 'Nosferatu A Symphony of Horror', and countless others. The image above is of Bela Lugosi (1882-1956) as Count Mora in Metro-Goldwyn-Meyer's 'Vampires of Prague' (1935) With Nick Groom Professor of Literature in English at the University of Macau Samantha George Associate Professor of Research in Literature at the University of Hertfordshire And Martyn Rady Professor Emeritus of Central European History at University College London Producer: Simon Tillotson
Apr 28, 2022 · 56 min
Melvyn Bragg and guests discuss the astonishing work of Michelangelo (1477-1564) in this great chapel in the Vatican, firstly the ceiling with images from Genesis (of which the image above is a detail) and later The Last Judgement on the altar wall. For the Papacy, Michelangelo's achievement was a bold affirmation of the spiritual and political status of the Vatican, of Rome and of the Catholic Church. For the artist himself, already famous as the sculptor of David in Florence, it was a test of his skill and stamina, and of the potential for art to amaze which he realised in his astonishing mastery of the human form. With Catherine Fletcher Professor of History at Manchester Metropolitan University Sarah Vowles The Smirnov Family Curator of Italian and French Prints and Drawings at the British Museum And Matthias Wivel The Aud Jebsen Curator of Sixteenth-Century Italian Paintings at the National Gallery Producer: Simon Tillotson
Apr 21, 2022 · 54 min
Melvyn Bragg and guests discuss what is reputedly the most performed of all Greek tragedies. Antigone, by Sophocles (c496-c406 BC), is powerfully ambiguous, inviting the audience to reassess its values constantly before the climax of the play resolves the plot if not the issues. Antigone is barely a teenager and is prepared to defy her uncle Creon, the new king of Thebes, who has decreed that nobody should bury the body of her brother, a traitor, on pain of death. This sets up a conflict between generations, between the state and the individual, uncle and niece, autocracy and pluralism, and it releases an enormous tragic energy that brings sudden death to Antigone, her fiance Haemon who is also Creon's son, and to Creon's wife Eurydice, while Creon himself is condemned to a living death of grief. With Edith Hall Professor of Classics at Durham University Oliver Taplin Emeritus Professor of Classics, University of Oxford And Lyndsay Coo Senior Lecturer in Ancient Greek Language and Literature at the University of Bristol Producer: Simon Tillotson
Feb 17, 2022 · 50 min
Melvyn Bragg and guests discuss William Shakespeare's famous tragedy, written in the early 1590s after a series of histories and comedies. His audience already knew the story of the feuding Capulets and Montagues in Verona and the fate of the young lovers from their rival houses, but not how Shakespeare would tell it and, with his poetry and plotting, he created a work so powerful and timeless that his play has shaped the way we talk of love, especially young love, ever since. The image above is of Mrs Patrick Campbell ('Mrs Pat') as Juliet and Johnson Forbes-Robinson as Romeo in a scene from the 1895 production at the Lyceum Theatre, London With Helen Hackett Professor of English Literature at University College London Paul Prescott Professor of English and Theatre at the University of California Merced And Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Producer: Simon Tillotson
Jan 27, 2022 · 51 min
Melvyn Bragg and guests discuss one of the outstanding French writers of the twentieth century. The novels of Sidonie-Gabrielle Colette (1873 - 1954) always had women at their centre, from youth to mid-life to old age, and they were phenomenally popular, at first for their freshness and frankness about women’s lives, as in the Claudine stories, and soon for their sheer quality as she developed as a writer. Throughout her career she intrigued readers by inserting herself, or a character with her name, into her works, fictionalising her life as a way to share her insight into the human experience. With Diana Holmes Professor of French at the University of Leeds Michèle Roberts Writer, novelist, poet and Emeritus Professor of Creative Writing at the University of East Anglia And Belinda Jack Fellow and Tutor in French Literature and Language at Christ Church, University of Oxford Producer: Simon Tillotson
Jan 13, 2022 · 51 min
After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter’s chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this second of his choices, we hear Melvyn Bragg and his guests discuss one of his favourite poets. Their topic is Thomas Hardy (1840 -1928) and his commitment to poetry, which he prized far above his novels. In the 1890s, once he had earned enough from his fiction, Hardy stopped writing novels altogether and returned to the poetry he had largely put aside since his twenties. He hoped that he might be ranked one day alongside Shelley and Byron, worthy of inclusion in a collection such as Palgrave's Golden Treasury which had inspired him. Hardy kept writing poems for the rest of his life, in different styles and metres, and he explored genres from nature, to war, to epic. Among his best known are what he called his Poems of 1912 to 13, responding to his grief at the death of his first wife, Emma (1840 -1912), who he credited as the one who had made it possible for him to leave his work as an architect's clerk and to write the novels that made him famous. With Mark Ford Poet, and Professor of English and American Literature, University College London. Jane Thomas Emeritus Professor of English at the University of Hull and Senior Visiting Research Fellow at the University of Leeds And Tim Armstrong Professor of Modern English and American Literature at Royal Holloway, University of London Producer: Simon Tillotson Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world
Dec 30, 2021 · 55 min
Melvyn Bragg and guests discuss the Austrian-born film director Fritz Lang (1890-1976), who was one of the most celebrated film-makers of the 20th century. He worked first in Weimar Germany, creating a range of films including the startling and subversive Mabuse the Gambler and the iconic but ruinously expensive Metropolis before arguably his masterpiece, M, with both the police and the underworld hunting for a child killer in Berlin, his first film with sound. The rise of the Nazis prompted Lang's move to Hollywood where he developed some of his Weimar themes in memorable and disturbing films such as Fury and The Big Heat. With Stella Bruzzi Professor of Film and Dean of Arts and Humanities at University College London Joe McElhaney Professor of Film Studies at Hunter College, City University of New York And Iris Luppa Senior Lecturer in Film Studies in the Division of Film and Media at London South Bank University Producer: Simon Tillotson
Dec 16, 2021 · 56 min
Melvyn Bragg and guests discuss Charles Dickens' novella, written in 1843 when he was 31, which has become intertwined with his reputation and with Christmas itself. Ebenezer Scrooge is the miserly everyman figure whose joyless obsession with money severs him from society and his own emotions, and he is only saved after recalling his lonely past, seeing what he is missing now and being warned of his future, all under the guidance of the ghosts of Christmases Past, Present and Yet To Come. Redeemed, Scrooge comes to care in particular about one of the many minor characters in the story who make a great impact, namely Tiny Tim, the disabled child of the poor and warm-hearted Cratchit family, with his cry, "God bless us, every one!" With Juliet John Professor of English Literature and Dean of Arts and Social Sciences at City, University of London Jon Mee Professor of Eighteenth-Century Studies at the University of York And Dinah Birch Pro-Vice-Chancellor for Cultural Engagement and Professor of English Literature at the University of Liverpool Producer: Simon Tillotson
Nov 18, 2021 · 51 min
Melvyn Bragg and guests discuss the British phase of a movement that spread across Europe in the mid-19th and early 20th centuries. Influenced by Charles Baudelaire and by Walter Pater, these Decadents rejected the mainstream Victorian view that art needed a moral purpose, and valued instead the intense sensations art provoked, celebrating art for art’s sake. Oscar Wilde was at its heart, Aubrey Beardsley adorned it with his illustrations and they, with others, provoked moral panic with their supposed degeneracy. After burning brightly, the movement soon lost its energy in Britain yet it has proved influential. The illustration above, by Beardsley, is from the cover of the first edition of The Yellow Book in April 1894. With Neil Sammells Professor of English and Irish Literature and Deputy Vice Chancellor at Bath Spa University Kate Hext Senior Lecturer in English Literature at the University of Exeter And Alex Murray Senior Lecturer in English at Queen’s University, Belfast Producer: Simon Tillotson
Nov 4, 2021 · 52 min
Melvyn Bragg and guests discuss an early masterpiece of French epic poetry, from the 12th Century. It is a reimagining of Charlemagne’s wars in Spain in the 8th Century in which Roland, his most valiant knight, chooses death before dishonour, guarding the army’s rear from a pagan ambush as it heads back through the Roncesvalles Pass in the Pyrenees. If he wanted to, Roland could blow on his oliphant, his elephant tusk horn, to summon help by calling back Charlemagne's army, but according to his values that would bring shame both on him and on France, and he would rather keep killing pagans until he is the last man standing and the last to die. The image above is taken from an illustration of Charlemagne finding Roland after the Battle of Roncevaux/Roncesvalles, from 'Les Grandes Chroniques de France', c.1460 by Jean Fouquet, Bibliotheque Nationale, Paris, Ms Fr 6465 f.113 With Laura Ashe Professor of English Literature and Fellow in English at Worcester College, University of Oxford Miranda Griffin Assistant Professor of Medieval French at the University of Cambridge and Fellow of Murray Edwards College And Luke Sunderland Professor in the School of Modern Languages and Cultures at Durham University Studio producer: John Goudie
Oct 21, 2021 · 54 min
Melvyn Bragg and guests discuss the author and philosopher Iris Murdoch (1919 - 1999). In her lifetime she was most celebrated for her novels such as The Bell and The Black Prince, but these are now sharing the spotlight with her philosophy. Responding to the horrors of the Second World War, she argued that morality was not subjective or a matter of taste, as many of her contemporaries held, but was objective, and good was a fact we could recognize. To tell good from bad, though, we would need to see the world as it really is, not as we want to see it, and her novels are full of characters who are not yet enlightened enough to do that. With Anil Gomes Fellow and Tutor in Philosophy at Trinity College, University of Oxford Anne Rowe Visiting Professor at the University of Chichester and Emeritus Research Fellow with the Iris Murdoch Archive Project at Kingston University And Miles Leeson Director of the Iris Murdoch Research Centre and Reader in English Literature at the University of Chichester Producer: Simon Tillotson
Sep 30, 2021 · 50 min
Melvyn Bragg and guests discuss Anne Bronte's second novel, published in 1848, which is now celebrated alongside those of her sisters but which Charlotte Bronte tried to suppress as a 'mistake'. It examines the life of Helen, who has escaped her abusive husband Arthur Huntingdon with their son to live at Wildfell Hall as a widow under the alias 'Mrs Graham', and it exposes the men in her husband's circle who gave her no choice but to flee. Early critics attacked the novel as coarse, as misrepresenting male behaviour, and as something no woman or girl should ever read; soon after Anne's death, Charlotte suggested the publisher should lose it for good. In recent decades, though, its reputation has climbed and it now sits with Jane Eyre and Wuthering Heights as one of the great novels by the Bronte sisters. The image above shows Tara Fitzgerald as Helen Graham in a 1996 BBC adaptation. With Alexandra Lewis Lecturer in English and Creative Writing at the University of Newcastle (Australia) Marianne Thormählen Professor Emerita in English Studies, Lund University And John Bowen Professor of Nineteenth Century Literature at the University of York Producer: Simon Tillotson
Sep 23, 2021 · 52 min
Melvyn Bragg and guests discuss the Greek writer known as the father of histories, dubbed by his detractors as the father of lies. Herodotus (c484 to 425 BC or later) was raised in Halicarnassus in modern Turkey when it was part of the Persian empire and, in the years after the Persian Wars, set about an inquiry into the deep background to those wars. He also aimed to preserve what he called the great and marvellous deeds of Greeks and non-Greeks, seeking out the best evidence for past events and presenting the range of evidence for readers to assess. Plutarch was to criticise Herodotus for using this to promote the least flattering accounts of his fellow Greeks, hence the 'father of lies', but the depth and breadth of his Histories have secured his reputation from his lifetime down to the present day. With Tom Harrison Professor of Ancient History at the University of St Andrews Esther Eidinow Professor of Ancient History at the University of Bristol And Paul Cartledge A. G. Leventis Senior Research Fellow at Clare College, University of Cambridge Producer: Simon Tillotson
Jun 24, 2021 · 52 min
To celebrate Melvyn Bragg’s 27 years presenting In Our Time, some well-known fans of the programme have chosen their favourite episodes. Historian and broadcaster Simon Schama has selected the episode on Shakespeare’s Sonnets and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the one broadcast on Radio 4). In 1609 Thomas Thorpe published a collection of poems entitled Shakespeare’s Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare’s work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King’s College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson Reading list: Stephen Booth, Shakespeare's Sonnets (first published 1978; Yale University Press, 2000) Hannah Crawforth and Elizabeth Scott-Baumann (eds.), On Shakespeare’s Sonnets: A Poets’ Celebration (Arden, 2016) Hannah Crawforth, Elizabeth Scott-Baumann and Clare Whitehead (eds.), Shakespeare’s Sonnets: The State of Play (Arden, 2018) Katherine Duncan-Jones, Shakespeare's Sonnets (The Arden Shakespeare, 1997) Patricia Fumerton, ‘”Secret” Arts: Elizabethan Miniatures and Sonnets’ (Representations 15, summer 1986, University of California Press) Kim Hall, Things of Darkness: Economies of Race and Gender in Early Modern England (Cornell University Press, 1995), especially chapter 2, ‘Fair Texts/Dark Ladies: Renaissance Lyric and the Poetics of Color’ John Kerrigan, The Sonnets and A Lover's Complaint (Penguin Classics, 1986) Jane Kingsley-Smith, The Afterlife of Shakespeare’s Sonnets (Cambridge University Press, 2019) Don Paterson, Reading Shakespeare’s Sonnets (Faber, 2010) Oscar Wilde (ed. John Sloan), The Complete Short Stories (Oxford World’s Classics), especially ‘The Portrait of Master W.H.’ This episode was first broadcast in June 2021. Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our world In Our Time is a BBC Studios production
Jun 17, 2021 · 52 min
Melvyn Bragg and guests discuss the life and ideas of one of the great historians, best known for his History of the Decline and Fall of the Roman Empire (published 1776-89). According to Gibbon (1737-94) , the idea for this work came to him on 15th of October 1764 as he sat musing amidst the ruins of Rome, while barefooted friars were singing vespers in the Temple of Jupiter. Decline and Fall covers thirteen centuries and is an enormous intellectual undertaking and, on publication, it became a phenomenal success across Europe. The image above is of Edward Gibbon by Henry Walton, oil on mahogany panel, 1773. With David Womersley The Thomas Wharton Professor of English Literature at St Catherine’s College, University of Oxford Charlotte Roberts Lecturer in English at University College London And Karen O’Brien Professor of English Literature at the University of Oxford Producer: Simon Tillotson
May 20, 2021 · 52 min
Melvyn Bragg and guests discuss one of the great novels of China’s Ming era, and perhaps the most loved. Written in 1592, it draws on the celebrated travels of a real monk from China to India a thousand years before, and on a thousand years of retellings of that story, especially the addition of a monkey as companion who, in the novel, becomes supersimian. For most readers the monk, Tripitaka, is upstaged by this irrepressible Monkey with his extraordinary powers, accompanied by the fallen but recovering deities, Pigsy and Sandy. The image above, from the caricature series Yoshitoshi ryakuga or Sketches by Yoshitoshi, is of Monkey creating an army by plucking out his fur and blowing it into the air, and each hair becomes a monkey-warrior. With Julia Lovell Professor of Modern Chinese History and Literature at Birkbeck, University of London Chiung-yun Evelyn Liu Associate Research Fellow at the Institute of Chinese Literature and Philosophy, Academia Sinica, Taiwan And Craig Clunas Professor Emeritus of the History of Art at Trinity College, University of Oxford Producer: Simon Tillotson
Apr 29, 2021 · 50 min
Melvyn Bragg and guests discuss the Roman poet Publius Ovidius Naso (43BC-17/18AD) who, as he described it, was destroyed by 'carmen et error', a poem and a mistake. His works have been preserved in greater number than any of the poets of his age, even Virgil, and have been among the most influential. The versions of many of the Greek and Roman myths we know today were his work, as told in his epic Metamorphoses and, together with his works on Love and the Art of Love, have inspired and disturbed readers from the time they were created. Despite being the most prominent poet in Augustan Rome at the time, he was exiled from Rome to Tomis on the Black Sea Coast where he remained until he died. It is thought that the 'carmen' that led to his exile was the Art of Love, Ars Amatoria, supposedly scandalising Augustus, but the 'error' was not disclosed. With Maria Wyke Professor of Latin at University College London Gail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of Oxford And Dunstan Lowe Senior Lecturer in Latin Literature at the University of Kent Producer: Simon Tillotson
Mar 18, 2021 · 52 min
Melvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy. The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas. With Edith Hall Professor of Classics at King’s College London Emily Wilson Professor of Classical Studies at the University of Pennsylvania And Rosie Wyles Lecturer in Classical History and Literature at the University of Kent Producer: Simon Tillotson
Mar 4, 2021 · 53 min
In this 900th edition of the programme, Melvyn Bragg and guests discuss one of the best known and most influential of the poems of the Romantic movement. Samuel Taylor Coleridge (1772-1834) wrote The Rime of the Ancient Mariner in 1798 after discussions with his friend Wordsworth. He refined it for the rest of his life, and it came to define him, a foreshadowing of his opium-addicted, lonely wandering and deepening sense of guilt. The poem tells of a sailor compelled to tell and retell the story of a terrible voyage in his youth, this time as guests are heading to a wedding party, where he stoppeth one of three. The image above is from Gustave Doré's illustration of the mariner's shooting of the albatross, for an 1877 German language edition of the poem With Sir Jonathan Bate Professor of Environmental Humanities at Arizona State University Tom Mole Professor of English Literature and Book History at the University of Edinburgh And Rosemary Ashton Emeritus Quain Professor of English Language and Literature at University College London Producer: Simon Tillotson
Feb 11, 2021 · 47 min
Melvyn Bragg and guests discuss one of the most famous museum objects in the world, shown in the image above in replica, and dating from around 196 BC. It is a damaged, dark granite block on which you can faintly see three scripts engraved: Greek at the bottom, Demotic in the middle and Hieroglyphs at the top. Napoleon’s soldiers found it in a Mamluk fort at Rosetta on the Egyptian coast, and soon realised the Greek words could be used to unlock the hieroglyphs. It was another 20 years before Champollion deciphered them, becoming the first to understand the hieroglyphs since they fell out of use 1500 years before and so opening up the written culture of ancient Egypt to the modern age. With Penelope Wilson Associate Professor of Egyptian Archaeology at Durham University Campbell Price Curator of Egypt and Sudan at the Manchester Museum And Richard Bruce Parkinson Professor of Egyptology and Fellow of The Queen’s College, University of Oxford Producer: Simon Tillotson
Jan 14, 2021 · 56 min
Melvyn Bragg and guests discuss F Scott Fitzgerald’s finest novel, published in 1925, one of the great American novels of the twentieth century. It is told by Nick Carraway, neighbour and friend of the mysteriously wealthy Jay Gatsby. In the age of jazz and prohibition, Gatsby hosts lavish parties at his opulent home across the bay from Daisy Buchanan, in the hope she’ll attend one of them and they can be reunited. They were lovers as teenagers but she had given him up for a richer man who she soon married, and Gatsby is obsessed with winning her back. The image above is of Robert Redford as Gatsby in a scene from the film 'The Great Gatsby', 1974. With Sarah Churchwell Professor of American Literature and Public Understanding of the Humanities at the University of London Philip McGowan Professor of American Literature at Queen’s University, Belfast And William Blazek Associate Professor and Reader in American Literature at Liverpool Hope University Produced by Simon Tillotson and Julia Johnson
Dec 3, 2020 · 50 min
Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew. With Cláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of Oxford Juliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College London And Paulo de Medeiros Professor of English and Comparative Literary Studies at the University of Warwick Producer: Simon Tillotson
Nov 12, 2020 · 54 min
Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change. With Susan Foister Deputy Director and Curator of German Paintings at the National Gallery Giulia Bartrum Freelance art historian and Former Curator of German Prints and Drawings at the British Museum And Ulinka Rublack Professor of Early Modern European History and Fellow of St John’s College, University of Cambridge Studio production: John Goudie
Oct 29, 2020 · 51 min
Melvyn Bragg and guests discuss William Langland's poem, written around 1370, about a man called Will who fell asleep on the Malvern Hills and dreamed of Piers the Plowman. This was a time between the Black Death and The Peasants’ Revolt, when Christians wanted to save their souls but doubted how best to do it - and had to live with that uncertainty. Some call this the greatest medieval poem in English, one offering questions not answers, and it can be as unsettling now as it was then. With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Lawrence Warner Professor of Medieval English at King’s College London And Alastair Bennett Lecturer in Medieval Literature at Royal Holloway, University of London Producer: Simon Tillotson
Oct 1, 2020 · 52 min
Melvyn Bragg and guests discuss one of Shakespeare’s greatest tragedies. When three witches prophesy that Macbeth will be king one day, he is not prepared to wait and almost the next day he murders King Duncan as he sleeps, a guest at Macbeth’s castle. From there we explore their brutal world where few boundaries are distinct – between safe and unsafe, friend and foe, real and unreal, man and beast – until Macbeth too is slaughtered. The image above shows Nicol Williamson as Macbeth in a 1983 BBC TV adaptation. With: Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Kiernan Ryan Emeritus Professor of English Literature at Royal Holloway, University of London And David Schalkwyk, Professor of Shakespeare Studies and Director of Global Shakespeare at Queen Mary, University of London Producer: Simon Tillotson
Mar 19, 2020 · 55 min
In a programme first broadcast in May 2019, Melvyn Bragg and guests discuss Mary Shelley's (1797-1851) Gothic story of a Swiss natural philosopher, Victor Frankenstein, and the creature he makes from parts of cadavers and which he then abandons, horrified by his appearance, and never names. Rejected by all humans who see him, the monster takes his revenge on Frankenstein, killing those dear to him. Shelley started writing Frankenstein when she was 18, prompted by a competition she had with Byron and her husband Percy Shelley to tell a ghost story while they were rained in in the summer of 1816 at the Villa Diodati by Lake Geneva. The image of Mary Shelley, above, was first exhibited in 1840. With Karen O'Brien Professor of English Literature at the University of Oxford Michael Rossington Professor of Romantic Literature at Newcastle University And Jane Thomas Professor of Victorian and Early 20th Century Literature at the University of Hull Producer: Simon Tillotson This programme is a repeat
Feb 6, 2020 · 55 min
Melvyn Bragg and guests discuss the works and life of one of the most popular writers in Europe in C19th, Amantine Lucile Aurore Dupin (1804-1876) who wrote under the name George Sand. When she wrote her first novel under that name, she referred to herself as a man. This was in Indiana (1832), which had the main character breaking away from her unhappy marriage. It made an immediate impact as it overturned the social conventions of the time and it drew on her own early marriage to an older man, Casimir Dudevant. Once Sand's identity was widely known, her works became extremely popular in French and in translation, particularly her rural novels, outselling Hugo and Balzac in Britain, perhaps buoyed by an interest in her personal life, as well as by her ideas on the rights and education of women and strength of her writing. With Belinda Jack Fellow and Tutor in French at Christ Church, University of Oxford Angela Ryan Senior Lecturer in French at University College Cork And Nigel Harkness Pro-Vice-Chancellor for Humanities and Social Sciences and Professor of French at Newcastle University Producer: Simon Tillotson
Jan 9, 2020 · 53 min
Melvyn Bragg and guests discuss Catullus (c84-c54 BC) who wrote some of the most sublime poetry in the late Roman Republic, and some of the most obscene. He found a new way to write about love, in poems to the mysterious Lesbia, married and elusive, and he influenced Virgil and Ovid and others, yet his explicit poems were to blight his reputation for a thousand years. Once the one surviving manuscript was discovered in the Middle Ages, though, anecdotally as a plug in a wine butt, he inspired Petrarch and the Elizabethan poets, as he continues to inspire many today. The image above is of Lesbia and her Sparrow, 1860, artist unknown With Gail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of Oxford Simon Smith Reader in Creative Writing at the University of Kent, poet and translator of Catullus and Maria Wyke Professor of Latin at University College London Producer: Simon Tillotson
Dec 19, 2019 · 53 min
Melvyn Bragg and guests discuss the life and poetry of WH Auden (1907-1973) up to his departure from Europe for the USA in 1939. As well as his personal life, he addressed suffering and confusion, and the moral issues that affected the wider public in the 1930s and tried to unpick what was going wrong in society and to understand those times. He witnessed the rise of totalitarianism in the austerity of that decade, travelling through Germany to Berlin, seeing Spain in the Civil War and China during its wars with Japan, often collaborating with Christopher Isherwood. In his lifetime his work attracted high praise and intense criticism, and has found new audiences in the fifty years since his death, sometimes taking literally what he meant ironically. With Mark Ford Poet and Professor of English at University College London Janet Montefiore Professor Emerita of 20th Century English Literature at the University of Kent And Jeremy Noel-Tod Senior Lecturer in Literature and Creative Writing at the University of East Anglia Producer: Simon Tillotson
Nov 14, 2019 · 53 min
Melvyn Bragg and guests discuss the novel written by Dostoevsky and published in 1866, in which Raskolnikov, a struggling student, justifies his murder of two women, as his future is more valuable than their lives. He thinks himself superior, above the moral laws that apply to others. The police have little evidence against him but trust him to confess, once he cannot bear the mental torture of his crime - a fate he cannot avoid, any more than he can escape from life in St Petersburg and his personal failures. The image above is from a portrait of Dostoevsky by Vasili Perov, 1872. With Sarah Hudspith Associate Professor in Russian at the University of Leeds Oliver Ready Lecturer in Russian at the University of Oxford, Research Fellow at St Antony’s College and a translator of this novel And Sarah Young Associate Professor in Russian at the School of Slavonic and East European Studies, University College London Producer: Simon Tillotson
Oct 24, 2019 · 52 min
Melvyn Bragg and guests discuss the work of the man who, in his lifetime, was called The Caledonian Bard and whose fame and influence was to spread around the world. Burns (1759-1796) was born in Ayrshire and his work as a tenant farmer earned him the label The Ploughman Poet, yet it was the quality of his verse that helped his reputation endure and grow. His work inspired other Romantic poets and his personal story and ideas combined with that, giving his poems a broad strength and appeal - sung by revolutionaries and on Mao's Long March, as well as on New Year's Eve and at Burns Suppers. With Robert Crawford Professor of Modern Scottish Literature and Bishop Wardlaw Professor of Poetry at the University of St Andrews Fiona Stafford Professor of English at the University of Oxford and Murray Pittock Bradley Professor of English Literature and Pro Vice Principal at the University of Glasgow Producer: Simon Tillotson
Oct 17, 2019 · 52 min
Melvyn Bragg and guests discuss the ideas explored in HG Wells' novella, published in 1895, in which the Time Traveller moves forward to 802,701 AD. There he finds humanity has evolved into the Eloi and Morlocks, where the Eloi are small but leisured fruitarians and the Morlocks live below ground, carry out the work and have a different diet. Escaping the Morlocks, he travels millions of years into the future, where the environment no longer supports humanity. The image above is from a painting by Anton Brzezinski of a scene from The Time Machine, with the Time Traveller meeting the Eloi With Simon Schaffer Professor of History of Science at Cambridge University Amanda Rees Historian of science at the University of York And Simon James Professor in the Department of English Studies at Durham University Producer: Simon Tillotson
Jul 4, 2019 · 53 min
Melvyn Bragg and guests discuss the Spanish poet and playwright Federico Garcia Lorca (1898-1936), author of Blood Wedding, Yerma and The House of Bernarda Alba, who mixed the traditions of Andalusia with the avant-garde. He found his first major success with his Gypsy Ballads, although Dali, once his close friend, mocked him for these, accusing Lorca of being too conservative. He preferred performing his poems to publishing them, and his plays marked a revival in Spanish theatre. He was captured and killed by Nationalist forces at the start of the Civil War, his body never recovered, and it's been suggested this was punishment for his politics and for being openly gay. He has since been seen as the most important Spanish playwright and poet of the last century. With Maria Delgado Professor of Creative Arts at the Royal Central School of Speech and Drama, University of London Federico Bonaddio Reader in Modern Spanish at King’s College London And Sarah Wright Professor of Hispanic Studies and Screen Arts at Royal Holloway, University of London Producer: Simon Tillotson
Jun 6, 2019 · 53 min
Melvyn Bragg and guests discuss the range, depth and style of Browne (1605-82) , a medical doctor whose curious mind drew him to explore and confess his own religious views, challenge myths and errors in science and consider how humans respond to the transience of life. His Religio Medici became famous throughout Europe and his openness about his religion, in that work, was noted as rare when others either kept quiet or professed orthodox views. His Pseudodoxia Epidemica challenged popular ideas, whether about the existence of mermaids or if Adam had a navel, and his Hydriotaphia or Urn Burial was a meditation on what matters to humans when handling the dead. In 1923, Virginia Woolf wrote, "Few people love the writings of Sir Thomas Browne, but those that do are the salt of the earth." He also contributed more words to the English language than almost anyone, such as electricity, indigenous, medical, ferocious, carnivorous ambidextrous and migrant. With Claire Preston Professor of Renaissance Literature at Queen Mary University of London Jessica Wolfe Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill And Kevin Killeen Professor of English at the University of York Producer: Simon Tillotson
Apr 18, 2019 · 55 min
Melvyn Bragg and guests discuss one of Shakespeare's most popular works, written c1595 in the last years of Elizabeth I. It is a comedy of love and desire and their many complications as well as their simplicity, and a reflection on society's expectations and limits. It is also a quiet critique of Elizabeth and her vulnerability and on the politics of the time, and an exploration of the power of imagination. With Helen Hackett Professor of English Literature and Leverhulme Research Fellow at University College London Tom Healy Professor of Renaissance Studies at the University of Sussex and Alison Findlay Professor of Renaissance Drama at Lancaster University and Chair of the British Shakespeare Association Producer: Simon Tillotson
Mar 21, 2019 · 48 min
Melvyn Bragg and guests discuss the life and works of Hopkins (1844-89), a Jesuit priest who at times burned his poems and at others insisted they should not be published. His main themes are how he, nature and God relate to each other. His friend Robert Bridges preserved Hopkins' poetry and, once printed in 1918, works such as The Windhover, Pied Beauty and As Kingfishers Catch Fire were celebrated for their inventiveness and he was seen as a major poet, perhaps the greatest of the Victorian age. With Catherine Phillips R J Owens Fellow in English at Downing College, University of Cambridge Jane Wright Senior Lecturer in English Literature at the University of Bristol and Martin Dubois Assistant Professor in Nineteenth Century Literature at Durham University Producer: Simon Tillotson
Feb 28, 2019 · 50 min
Melvyn Bragg and guests discuss the life, works, context and legacy of Antarah (525-608AD), the great poet and warrior. According to legend, he was born a slave; his mother was an Ethiopian slave, his father an elite Arab cavalryman. Antarah won his freedom in battle and loved a woman called Abla who refused him, and they were later celebrated in the saga of Antar and Abla. One of Antarah's poems was so esteemed in pre-Islamic Arabia that it is believed it was hung up on the wall of the Kaaba in Mecca. With James Montgomery Sir Thomas Adams's Professor of Arabic at the University of Cambridge Marlé Hammond Senior Lecturer in Arabic Popular Literature and Culture at SOAS, University of London And Harry Munt Lecturer in Medieval History at the University of York Producer: Simon Tillotson
Feb 14, 2019 · 50 min
Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson
Jan 17, 2019 · 49 min
Melvyn Bragg and guests discuss Samuel Beckett (1906 - 1989), who lived in Paris and wrote his plays and novels in French, not because his French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, together with the absurdity and humour of the human condition. In part he was reacting to the verbal omnipotence of James Joyce, with whom he’d worked in Paris, and in part to his experience in the French Resistance during World War 2, when he used code, writing not to reveal meaning but to conceal it. With Steven Connor Professor of English at the University of Cambridge Laura Salisbury Professor of Modern Literature at the University of Exeter And Mark Nixon Associate Professor in Modern Literature at the University of Reading and co-director of the Beckett International Foundation Producer: Simon Tillotson
Dec 13, 2018 · 52 min
In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas. The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95 With Laura Ashe Professor of English Literature at Worcester College, University of Oxford Ad Putter Professor of Medieval English Literature at the University of Bristol And Simon Armitage Poet and Professor of Poetry at the Universities of Leeds and Oxford Producer: Simon Tillotson
Nov 15, 2018 · 49 min
Melvyn Bragg and guests discuss Horace (65-8BC), who flourished under the Emperor Augustus. He was one of the greatest poets of his age and is one of the most quoted of any age. Carpe diem, nil desperandum, nunc est bibendum – that’s Horace. He was the son of a freedman from southern Italy and, thanks to his talent, achieved high status in Rome despite fighting on the losing side in the civil wars. His Odes are widely thought his most enduring works, yet he also wrote his scurrilous Epodes, some philosophical Epistles and broad Satires. He’s influenced poets ever since, including those such as Wilfred Owen who rejected his line: ‘dulce et decorum est pro patria mori’. With Emily Gowers Professor of Latin Literature at the University of Cambridge and Fellow of St John’s College William Fitzgerald Professor of Latin Language and Literature at King’s College London and Ellen O’Gorman Senior Lecturer in Classics at the University of Bristol Producer: Simon Tillotson
Oct 18, 2018 · 48 min
In the second of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, continuing with the Roman plays. Rome was the setting for Titus Andronicus, Julius Caesar, Coriolanus and parts of Antony and Cleopatra and these plays gave Shakespeare the chance to explore ideas too controversial for English histories. How was Shakespeare reimagining Roman history, and what impact has that had on how we see Rome today? The image above is of Marlon Brando playing Mark Antony in a scene from the film version of Shakespeare's Julius Caesar, 1953 With Sir Jonathan Bate Provost of Worcester College, University of Oxford Catherine Steel Professor of Classics and Dean of Research in the College of Arts at the University of Glasgow And Patrick Gray Associate Professor of English Studies at Durham University Producer: Simon Tillotson
Oct 11, 2018 · 51 min
In the first of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, starting with the English Plantagenets. His eight plays from Richard II to Richard III were written out of order, in the Elizabethan era, and have had a significant impact on the way we see those histories today. In the second programme, Melvyn discusses the Roman plays. The image above is of Richard Burton (1925 - 1984) as Henry V in the Shakespeare play of the same name, from 1951 With Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Gordon McMullan Professor of English at King’s College London and Director of the London Shakespeare Centre And Katherine Lewis Senior Lecturer in Medieval History at the University of Huddersfield Producer: Simon Tillotson
Oct 4, 2018 · 49 min
Melvyn Bragg and guests discuss the works of Wharton (1862-1937) such as The Age of Innocence for which she won the Pulitzer Prize and was the first woman to do so, The House of Mirth, and The Custom of the Country. Her novels explore the world of privileged New Yorkers in the Gilded Age of the late C19th, of which she was part, drawing on her own experiences and written from the perspective of the new century, either side of WW1 . Among her themes, she examined the choices available to women and the extent to which they could ever really be free, even if rich. With Dame Hermione Lee Biographer, former President of Wolfson College, Oxford Bridget Bennett Professor of American Literature and Culture at the University of Leeds And Laura Rattray Reader in North American Literature at the University of Glasgow Producer: Simon Tillotson
Sep 13, 2018 · 48 min
Melvyn Bragg and guests discuss the great epic poem attributed to Homer, telling the story of an intense episode in the Trojan War. It is framed by the wrath of the Greek hero Achilles, insulted by his leader Agamemnon and withdrawing from the battle that continued to rage, only returning when his close friend Patroclus is killed by the Trojan hero Hector. Achilles turns his anger from Agamemnon to Hector and the fated destruction of Troy comes ever closer. With Edith Hall Professor of Classics at King's College London Barbara Graziosi Professor of Classics at Princeton University And Paul Cartledge A.G. Leventis Senior Research Fellow and Emeritus Professor of Greek Culture at Clare College, Cambridge Producer: Simon Tillotson.
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